George Frideric Handel, Orchestra of Westminster Abbey, Simon Preston, The Choir Of Westminster Abbey made "Nisi Dominus, Psalm 126 (127) HWV 238: 1. Nisi Dominus" available on January 1, 1988. The duration of Nisi Dominus, Psalm 126 (127) HWV 238: 1. Nisi Dominus is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Nisi Dominus, Psalm 126 (127) HWV 238: 1. Nisi Dominus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Orchestra of Westminster Abbey, Simon Preston, The Choir Of Westminster Abbey's "Handel: Dixit Dominus, HWV 232; Nisi Dominus, HWV 238; Salve Regina, HWV 241" album is number 10 out of 19. On top of that, Germany appears to be the country where this track was created. Nisi Dominus, Psalm 126 (127) HWV 238: 1. Nisi Dominus is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Nisi Dominus, Psalm 126 (127) HWV 238: 1. Nisi Dominus by George Frideric Handel, Orchestra of Westminster Abbey, Simon Preston, The Choir Of Westminster Abbey to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deborah, HWV 51: Part I: Chorus - Let thy deeds be glorious | George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | A Minor | 0 | 8A | 172 BPM | ||
Solomon, HWV 67, Act I Scene 1: No. 4 "With pious heart, and holy tongue" (Chorus of Priests) | George Frideric Handel, RIAS Kammerchor, Daniel Reuss, Akademie für Alte Musik Berlin | D Minor | 1 | 7A | 77 BPM | ||
Coronation Anthem - Let Thy Hand Be Strengthened: Let thy hand be strengthened | The Sixteen | F♯ Major | 1 | 2B | 113 BPM | ||
Coffee Cantata, BWV 211: Aria: Heute noch | Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon, Suzie LeBlanc, Nils Brown, Brett Polegato | F♯ Major | 1 | 2B | 120 BPM | ||
Maddalena ai piedi di Cristo: No. 2 Aria Amor Terreno "Dormi, o cara, e formi il sonno" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Bernarda Fink | D♭ Major | 1 | 3B | 78 BPM | ||
Mondonville: In exitu Israel: II. Chœur. "Mare vidit" | Jean-Joseph Cassanéa De Mondonville, Emmanuelle Haïm | F Major | 2 | 7B | 119 BPM | ||
Christ unser Herr zum Jordan kam (Chorus) | Johann Sebastian Bach, Wilke te Brummelstroete, Paul Agnew, Dietrich Henschel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Major | 0 | 1B | 106 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Torna, o bella, al tuo consorte" (Chorus) | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | E Major | 1 | 12B | 42 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Chorus: From harmony | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Mass in B Minor, BWV 232: Kyrie eleison (Chorus) | Johann Sebastian Bach, Dorothee Mields, Johannette Zomer, Patrick Van Goethem, Jan Kobow, Peter Kooij, Cappella Amsterdam, Orchestra Of The 18th Century, Frans Brüggen | B♭ Minor | 2 | 3A | 81 BPM |
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