"El dulce de América" by New York Festival Of Song, Jennifer Aylmer, Steven Blier, James Saporito, Oren Fader was released on March 8, 2024. The duration of El dulce de América is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. El dulce de América's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "NYFOS Records: The Singles, Vol. I". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Australia. El dulce de América is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With El dulce de América by New York Festival Of Song, Jennifer Aylmer, Steven Blier, James Saporito, Oren Fader having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Arietta | Edvard Grieg, Christopher Ferreira | E♭ Major | 0 | 5B | 142 BPM | ||
Part III. Ends: End of The Day | Rufus Müller, Delores Ziegler, Steven Blier, New York Festival Of Song | G Major | 0 | 9B | 82 BPM | ||
Abismo de sed | New York Festival Of Song, Federico De Michelis, Steven Blier | C Major | 3 | 8B | 81 BPM | ||
Part II. Middles: A Learned Man | Michael Barrett, Monique McDonald, New York Festival Of Song, Delores Ziegler, Rufus Müller | E♭ Minor | 1 | 2A | 75 BPM | ||
Carmen: Sur les remparts de Séville | Maria Callas | C Major | 3 | 8B | 80 BPM | ||
All the Way: Walt Whitman in 1989 - Live | Chris de Blasio, William Burden, Steven Blier, New York Festival Of Song | F Minor | 1 | 4A | 77 BPM | ||
Canción de ausencia | New York Festival Of Song, Federico De Michelis, Steven Blier | C Major | 3 | 8B | 81 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM | ||
Martha: M'apparì tutt'amor | Friedrich von Flotow, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | B Minor | 2 | 10A | 89 BPM |
Section: 0.6433367729187012
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