Alberto Bonera's 'Tempesta romantica un po' tardiva' came out on June 10, 2016. With Tempesta romantica un po' tardiva being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 37 in the song's album "Nova fragmenta". In this album, this song's track order is #27. Furthermore, we believe that the track originated from Switzerland. Based on our statistics, Tempesta romantica un po' tardiva's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tempesta romantica un po' tardiva by Alberto Bonera having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 1/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 12 in F Major, Op. 96 "American": III. Molto vivace | Antonín Dvořák, Ragazze Quartet | F Major | 2 | 7B | 165 BPM | ||
Concerto for Cello and Orchestra: II. Allegro appassionato | William Walton, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | G Minor | 0 | 6A | 103 BPM | ||
Clarinet Quintet: I. Funny Siciliana | Jan van Landeghem, Eddy Vanoosthuyse, Zemlinsky Quartet | G Minor | 1 | 6A | 182 BPM | ||
Horn Trio in E-Flat Major, Op. 40 (Version for Piano Trio): III. Adagio mesto | Johannes Brahms, Trio Sōra | F Minor | 0 | 4A | 106 BPM | ||
String Quartet No. 2 in A Major, Op. 68: I. Overture. Moderato con moto | Dmitri Shostakovich, Quatuor Danel | G Major | 0 | 9B | 89 BPM | ||
Concerto pour violon et orchestre: I. Praeludium: Vivacissimo luminoso | György Ligeti, Ensemble Intercontemporain, Pierre Bleuse, Hae-Sun Kang | B Minor | 0 | 10A | 134 BPM | ||
Suite for Violin and Piano, Op. 6: IV. Waltz | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | F♯ Major | 1 | 2B | 138 BPM | ||
The Wave of the Surging Thoughts: III. Song Without Words. Passion and Emotion | Daqun Jia, Jakub Haufa, Sinfonia Varsovia, Michał Klauza | F Major | 2 | 7B | 166 BPM | ||
The Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): IV. Bird Music | Oliver Knussen, Colin Matthews, Benjamin Britten, Ohio State University Wind Symphony, Russel C. Mikkelson | E Minor | 2 | 9A | 112 BPM | ||
Serenade: IV. Agathon. Adagio | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM |
Section: 0.6856091022491455
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