"The Legend of the invisible City of Kitezh and the Maiden Fevronia / Act 4. Tableau 2: Kak po tsvetikam po lazorevym" by Nikolai Rimsky-Korsakov, Galina Gorchakova, Yuri Marusin, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev was released on January 1, 1999. The duration of The Legend of the invisible City of Kitezh and the Maiden Fevronia / Act 4. Tableau 2: Kak po tsvetikam po lazorevym is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. The Legend of the invisible City of Kitezh and the Maiden Fevronia / Act 4. Tableau 2: Kak po tsvetikam po lazorevym's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 76 in the song's album "Rimsky-Korsakov: The Legend Of The Invisible City Of Kitezh". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, The Legend of the invisible City of Kitezh and the Maiden Fevronia / Act 4. Tableau 2: Kak po tsvetikam po lazorevym's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Legend of the invisible City of Kitezh and the Maiden Fevronia / Act 4. Tableau 2: Kak po tsvetikam po lazorevym by Nikolai Rimsky-Korsakov, Galina Gorchakova, Yuri Marusin, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Scheherazade: Sea Birds | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 46 BPM | ||
Le Carnaval des Animaux, R. 125: 7. Aquarium | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | A Minor | 0 | 8A | 136 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
The Snow Maiden / Prologue: Introduction - "Konyets zimye; propyeli petukhi" | Nikolai Rimsky-Korsakov, Drago Dimitrievich, Belgrade National Opera Orchestra, Kreshimir Baranovich | C Major | 1 | 8B | 125 BPM | ||
Polka Italienne | La Sinfónica Clásica | E♭ Major | 2 | 5B | 126 BPM |
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