Die sieben Worte Christi am Kreuz für Soli, Chor und Orchester: Consummatum est - César Franck, Chor Der Philharmonie Schwäbisch Gmünd, Edith Wiens, Hubert Beck, Ivo Ingram, Philharmonie Schwäbisch Gmünd, Raimundo Mettre, Thomas Pfeiffer Information

Acousticness: 98%
Danceability: 20%
Energy: 10%
Instrumentalness: 79%
Liveness: 8%
Loudness: 62%
Speechiness: 4%
Valence: 4%
Popularity: 5%
Loudness: -22.905 dB

Summary

"Die sieben Worte Christi am Kreuz für Soli, Chor und Orchester: Consummatum est" by César Franck, Chor Der Philharmonie Schwäbisch Gmünd, Edith Wiens, Hubert Beck, Ivo Ingram, Philharmonie Schwäbisch Gmünd, Raimundo Mettre, Thomas Pfeiffer was released on January 1, 1993. Die sieben Worte Christi am Kreuz für Soli, Chor und Orchester: Consummatum est is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. The song is number 7 out of 8 in César Franck: Die Sieben Worte Christi Am Kreuz (The Seven Words of Christ At the Cross) by César Franck, Philharmonie Schwäbisch Gmünd, Hubert Beck, Chor Der Philharmonie Schwäbisch Gmünd. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Die sieben Worte Christi am Kreuz für Soli, Chor und Orchester: Consummatum est is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Die sieben Worte Christi am Kreuz für Soli, Chor und Orchester: Consummatum est BPM

The tempo marking of Die sieben Worte Christi am Kreuz für Soli, Chor und Orchester: Consummatum est by César Franck, Chor Der Philharmonie Schwäbisch Gmünd, Edith Wiens, Hubert Beck, Ivo Ingram, Philharmonie Schwäbisch Gmünd, Raimundo Mettre, Thomas Pfeiffer is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Die sieben Worte Christi am Kreuz für Soli, Chor und Orchester: Consummatum est Key

F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Violin Sonata in A Major, M. 8 (arr. J. Delsart): I. Allegretto ben moderato	César Franck, Jules Delsart, Harriet Krijgh, Kamilla Isanbaeva	A Major	1	11B	54 BPM
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo	Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra	F Major	2	7B	131 BPM
24 Preludes For Piano, Op.11: No. 11 In B	Alexander Scriabin, Yuja Wang	B Major	0	1B	67 BPM
Sonata in E Major, K. 380	Domenico Scarlatti, Khatia Buniatishvili	B Major	0	1B	84 BPM
Salut d'amour, Op. 12	Edward Elgar, Charlie Siem, Paul Goodwin	E Major	1	12B	95 BPM
Sonata No. 31 in A-Flat Major, Op. 110: I. Moderato cantabile molto espressivo	Ludwig van Beethoven, Paul Lewis	A♭ Major	1	4B	67 BPM
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1	Carl Maria von Weber, Michael Endres	C Major	0	8B	134 BPM
Consolation No. 3 in D-Flat Major, S. 172/3	Franz Liszt, Vladimir Horowitz	D♭ Major	0	3B	70 BPM
Beau soir, L. 6 (Arranged for Violin and Piano by Jascha Heifetz)	Claude Debussy, Joshua Bell	F♯ Minor	0	11A	86 BPM
Symphony in B Minor (arr. T. Finno for orchestra): I. Allegro ben marcato	Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl	C Major	1	8B	99 BPM

ISRC: DEE219343207
Label: L-M Records/RCA Records

Section: 0.7737922668457031

End: 0.7791500091552734