Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations" - Arranged for Harp by Catrin Finch: Var. 5 a 1 ovvero 2 Clav. - Johann Sebastian Bach, Catrin Finch Information

Acousticness: 99%
Danceability: 30%
Energy: 25%
Instrumentalness: 96%
Liveness: 11%
Loudness: 69%
Speechiness: 4%
Valence: 22%
Popularity: 8%
Loudness: -18.305 dB

Summary

Johann Sebastian Bach, Catrin Finch's 'Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations" - Arranged for Harp by Catrin Finch: Var. 5 a 1 ovvero 2 Clav.' came out on October 9, 2021. With Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations" - Arranged for Harp by Catrin Finch: Var. 5 a 1 ovvero 2 Clav. being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 98 out of 384 in Cosy Bach by Johann Sebastian Bach, Various Artists. Based on our statistics, Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations" - Arranged for Harp by Catrin Finch: Var. 5 a 1 ovvero 2 Clav.'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations" - Arranged for Harp by Catrin Finch: Var. 5 a 1 ovvero 2 Clav. BPM

The tempo marking of Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations" - Arranged for Harp by Catrin Finch: Var. 5 a 1 ovvero 2 Clav. by Johann Sebastian Bach, Catrin Finch is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations" - Arranged for Harp by Catrin Finch: Var. 5 a 1 ovvero 2 Clav. Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten)	Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields	F Major	1	7B	124 BPM
Sinfonia in C major, RV 112: II. Andante	Karoly Botvay	C Minor	1	5A	112 BPM
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro	Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz	D Major	2	10B	126 BPM
Cello Concerto No. 1 In C Major, G. 477: II. Largo	Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini	F Major	0	7B	70 BPM
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings)	Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog	G Minor	1	6A	77 BPM
Violin Partita No. 3 in E Major, BWV 1006: II. Loure	Johann Sebastian Bach, Hilary Hahn	D♭ Minor	1	12A	133 BPM
Frühlingsglaube (Arr. Franz Liszt)	Franz Schubert	A♭ Major	3	4B	64 BPM
Orfeo ed Euridice: Melody (arr. G. Sgambati)	Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis	D Minor	0	7A	71 BPM
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto	Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra	A Minor	3	8A	118 BPM
Adagio in F, H.XVII No.9	Franz Joseph Haydn, Alfred Brendel	F Major	0	7B	71 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 1.009993076324463

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