Camille Saint-Saëns, Berlin Radio Symphony Orchestra, Ferhan & Ferzan Önder, Johannes Zurl's 'Der Karneval der Tiere, R. 125: II. Der königliche Marsch des Löwen' came out on November 15, 2019. With Der Karneval der Tiere, R. 125: II. Der königliche Marsch des Löwen being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 40 in the song's album "Saint-Saëns: Karneval der Tiere & Prokofiev: Peter und der Wolf". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Der Karneval der Tiere, R. 125: II. Der königliche Marsch des Löwen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Karneval der Tiere, R. 125: II. Der königliche Marsch des Löwen by Camille Saint-Saëns, Berlin Radio Symphony Orchestra, Ferhan & Ferzan Önder, Johannes Zurl having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No. 3 in F Major, RV 293 "Autumn": I. Allegro | Antonio Vivaldi, Sigiswald Kuijken, La Petite Bande | E Major | 1 | 12B | 102 BPM | ||
The Carnival of the Animals, R.125: XII. Fossils | Camille Saint-Saëns, Cologne New Philharmonic, Nataša Majer, Ana Pišpek, Volker Hartung | E♭ Major | 5 | 5B | 118 BPM | ||
The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Leonard Bernstein, New York Philharmonic | B♭ Minor | 0 | 3A | 77 BPM | ||
Thespis: No. 3 Valse | Arthur Sullivan, RTE Concert Orchestra, Andrew Penny | G Major | 0 | 9B | 87 BPM | ||
Die Fledermaus: Act III: Entr'acte | Johann Strauss II, Cologne West German Radio Orchestra, Friedrich Haider | C Major | 2 | 8B | 144 BPM | ||
Carnival of the Animals: I. Introduction and Royal March of the Lion | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | G Major | 2 | 9B | 79 BPM | ||
Handel: Water Music Suite No. 1, HWV 348: Overture (Largo - Allegro) | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 2 | 7B | 131 BPM | ||
Humperdinck : Hänsel und Gretel : Act 1 Hexenritt | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | F Major | 1 | 7B | 93 BPM | ||
Hänsel und Gretel: Abends, will ich schlafen gehn | Engelbert Humperdinck, Eugene Ormandy, Philadelphia Orchestra | D Major | 0 | 10B | 83 BPM | ||
The Tale of Tsar Saltan: The Flight of the Bumblebee (Arr. for Cello and Piano) | Nikolai Rimsky-Korsakov, Sol Gabetta, Irène Timacheff-Gabetta | A Minor | 2 | 8A | 169 BPM |
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