Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker made "Mozart: Don Giovanni, K. 527, Act 2 Scene 4: No. 17, Aria, Metà di voi qua vadano" (Don Giovanni)" available on October 31, 1988. The duration of Mozart: Don Giovanni, K. 527, Act 2 Scene 4: No. 17, Aria, Metà di voi qua vadano" (Don Giovanni) is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Mozart: Don Giovanni, K. 527, Act 2 Scene 4: No. 17, Aria, Metà di voi qua vadano" (Don Giovanni)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 22 out of 214. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Mozart: Don Giovanni, K. 527, Act 2 Scene 4: No. 17, Aria, Metà di voi qua vadano" (Don Giovanni)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 2 Scene 4: No. 17, Aria, Metà di voi qua vadano" (Don Giovanni) by Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La traviata / Act 2: "Lunge da lei" - "De' miei bollenti spiriti" | Giuseppe Verdi, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | A♭ Major | 1 | 4B | 88 BPM | ||
Verdi: Aida, Act 4: "Radamès! Radamès! Radamès" (Ramfis, Sacerdoti, Amneris) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | C Minor | 1 | 5A | 135 BPM | ||
Stabat Mater: Quando corpus morietur | Gioachino Rossini, Riccardo Muti, Orchestra del Maggio Musicale Fiorentino | E♭ Major | 1 | 5B | 74 BPM | ||
Stabat Mater: Fac, ut portem Christi mortem | Gioachino Rossini, Riccardo Muti, Orchestra del Maggio Musicale Fiorentino | E Major | 1 | 12B | 79 BPM | ||
Le nozze di Figaro, K.492 / Act 1: "Via resti servita, madama brillante" | Wolfgang Amadeus Mozart, Edith Mathis, Patricia Johnson, Orchester der Deutschen Oper Berlin, Karl Böhm | A Major | 2 | 11B | 64 BPM | ||
Mass in C Major, K. 317 "Coronation": VI. Agnus Dei | Wolfgang Amadeus Mozart, Barbara Bonney, Catherine Wyn-Rogers, Jamie MacDougall, Stephen Gadd, The English Concert Choir, The English Concert, Trevor Pinnock | D♭ Major | 1 | 3B | 76 BPM | ||
Requiem In D Minor, K.626: 3. Sequentia: Tuba mirum | Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Helga Muller-Molinari, Vinson Cole, Paata Burchuladze, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 66 BPM | ||
La Bohème / Act 4: "Gavotta" | Giacomo Puccini, Nicolai Ghiaurov, Rolando Panerai, Gianni Maffeo, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | D Major | 4 | 10B | 86 BPM | ||
Die Zauberflöte, K.620 / Act 1: "Zum Ziele führt dich diese Bahn" | Wolfgang Amadeus Mozart, Soloists of the Tölzer Knabenchor, Christoph Strehl, Andreas Bauer, Danilo Formaggia, Mahler Chamber Orchestra, Claudio Abbado, Arnold Schoenberg Chor, Erwin Ortner, Tobias Beyer, Georg Zeppenfeld | C Major | 0 | 8B | 99 BPM | ||
Tik-Tak Polka, Polka schnell, Op. 365 | Johann Strauss II, Gustavo Dudamel, Wiener Philharmoniker | A Major | 6 | 11B | 90 BPM |
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