On April 5, 2019, the song "The Tale of Tsar Saltan, Act III: Flight of the Bumblebee" was released by Nikolai Rimsky-Korsakov, Stockholm Chamber Duo. With The Tale of Tsar Saltan, Act III: Flight of the Bumblebee being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 58 out of 99 in Classical Cello Hits by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. The popularity of The Tale of Tsar Saltan, Act III: Flight of the Bumblebee is currently below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of The Tale of Tsar Saltan, Act III: Flight of the Bumblebee by Nikolai Rimsky-Korsakov, Stockholm Chamber Duo is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Rakoczy March from Hungarian Rhapsody No. 15 in A Minor, S. 244 / 15 - Horowitz Version | Franz Liszt, Lang Lang | A Major | 3 | 11B | 83 BPM | ||
Concerto in C Major für Viola und Orchester: I. Largo | Capella Istropolitana, Paul Kantschieder | G Major | 1 | 9B | 101 BPM | ||
Violin Concerto No. 2 in E Major, BWV 1042: III. Allegro assai | Camerata Romana, Eugen Duvier | E Major | 1 | 12B | 94 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F♯ Major | 3 | 2B | 125 BPM | ||
Polonaise No.6 In A Flat, Op.53 -"Heroic" | Frédéric Chopin, Maurizio Pollini | A♭ Major | 2 | 4B | 169 BPM | ||
Brandenburg Concerto No. 4 in G BWV1049: I. Allegro | Johann Sebastian Bach, Monica Huggett, Orchestra of the Age of Enlightenment | F♯ Major | 1 | 2B | 89 BPM | ||
Trois Gymnopédies: I. Lent Et Douloureux | Erik Satie, Wolfgang Sieber | D Major | 0 | 10B | 73 BPM | ||
Carmen, Opera Suite No. 1: II. Les Dragons d'Alcala, Act 2 | London Festival Orchestra Alfred Scholz | G Major | 0 | 9B | 120 BPM | ||
Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark | G Minor | 2 | 6A | 116 BPM |
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