Arthur Somervell, David Owen Norris, David Wilson-Johnson's 'A Shropshire Lad: V. The Street Sounds to the Soldiers' Tread' came out on 1986. The duration of A Shropshire Lad: V. The Street Sounds to the Soldiers' Tread is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. A Shropshire Lad: V. The Street Sounds to the Soldiers' Tread's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Somervell: Maud & A Shropshire Lad". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, A Shropshire Lad: V. The Street Sounds to the Soldiers' Tread is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A Shropshire Lad: V. The Street Sounds to the Soldiers' Tread by Arthur Somervell, David Owen Norris, David Wilson-Johnson having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass No. 2 in E Minor, WAB 27 (1882 Version): II. Gloria | Anton Bruckner, Bavarian Radio Chorus, Peter Dijkstra, Munich Radio Orchestra | C Major | 1 | 8B | 93 BPM | ||
Maud: III. She Came to the Village Church | Arthur Somervell, David Owen Norris, David Wilson-Johnson | G Major | 2 | 9B | 80 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: VII. Con queste paroline. (Allegro - alla breve) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, Matthew Rose | G Minor | 0 | 6A | 140 BPM | ||
A Child of our Time, Part I: Interludium | Michael Tippett, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Mass in D Major, Op. 86, B. 175: Gloria. Allegro vivo | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Jaroslav Tvrzsky | G Major | 1 | 9B | 66 BPM | ||
Reflets | Lili Boulanger, Sonia de Beaufort, Alain Jacquon | D Major | 1 | 10B | 85 BPM | ||
Les 7 paroles du Christ: 5e Parole - "Sitio" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | B♭ Minor | 1 | 3A | 141 BPM | ||
Momele | Al Goodhart, Cheri Rose Katz | A Major | 2 | 11B | 153 BPM | ||
Four Vocal Quartets with piano, Op. 92: I. O schöne Nacht! | Johannes Brahms, RIAS Kammerchor, Alain Planès | D♭ Major | 1 | 3B | 106 BPM | ||
Dona Nobis Pacem: The Angel of Death has been abroad | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | A♭ Major | 1 | 4B | 80 BPM |
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