South German Philharmonic's 'Messiah, Glory To God In The Highest' came out on April 1, 2010. The duration of Messiah, Glory To God In The Highest is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Messiah, Glory To God In The Highest's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 100 World Classical Masterpieces, so we believe that "Messiah, Glory To God In The Highest" is a single. In terms of popularity, Messiah, Glory To God In The Highest is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Messiah, Glory To God In The Highest by South German Philharmonic is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Requiem in D Minor, K. 626: XII. Benedictus | Nikolaus Harnoncourt, Vienna State Opera Chorus, Kurt Equiluz, Ortrun Wenkel, Rachel Yakar, Robert Holl | B♭ Major | 1 | 6B | 73 BPM | ||
Suite for Orchestra No.2 in B minor for Flute and Strings, BWV 1067: II. Rondeau | Philharmonia Slavonica, Henry Adolph | B Minor | 2 | 10A | 84 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Alberto Lizzio, Philharmonia Slavonica | D Major | 1 | 10B | 92 BPM | ||
Symphony No. 25 in G Minor, K. 183: I. Allegro con brio | Tbilisi Symphony Orchestra | G Minor | 1 | 6A | 84 BPM | ||
Slawische Tänze, op. 46, Nr. 10 | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | E Minor | 2 | 9A | 104 BPM | ||
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): III. Danza pastorale: Allegro | Karoly Botvay | E Major | 1 | 12B | 140 BPM | ||
March, Op. 33: The Love of the Three Oranges | RSO Bratislava Ondrej Lenard | G Major | 4 | 9B | 110 BPM | ||
Borodin: Prince Igor, Act II: Polovtsian Dances (Excerpt) | Alexander Borodin, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham | A Major | 1 | 11B | 79 BPM | ||
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act III: Prelude | Richard Wagner, Sofia Symphony Orchestra, Vassil Kazandjiev | D Major | 0 | 10B | 67 BPM | ||
Chopin: Mazurka #15 In C, Op. 24/2 | London Festival Orchestra | C Major | 1 | 8B | 66 BPM |
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