- BPM
- 170
- Key
- G Major
- Camelot
- 9B
Fidelio (highlights) (1989 Digital Remaster), Act I: Mir ist so wunderbar (Marzelline/Leonore/Rocco/Jaquino) - Karl Ridderbusch, Horst Laubenthal, Helen Donath, Helga Dernesch, Herbert von Karajan, Berliner Philharmoniker Information
- Acousticness
- 95%
- Danceability
- 14%
- Energy
- 12%
- Instrumentalness
- 1%
- Liveness
- 14%
- Loudness
- 58%
- Speechiness
- 5%
- Valence
- 9%
- Popularity
- 2%
- Loudness
- -25.383 dB
Summary
"Fidelio (highlights) (1989 Digital Remaster), Act I: Mir ist so wunderbar (Marzelline/Leonore/Rocco/Jaquino)" by Karl Ridderbusch, Horst Laubenthal, Helen Donath, Helga Dernesch, Herbert von Karajan, Berliner Philharmoniker was released on November 5, 2007. With this song being about 5 minutes long, at 4:46, "Fidelio (highlights) (1989 Digital Remaster), Act I: Mir ist so wunderbar (Marzelline/Leonore/Rocco/Jaquino)" by Karl Ridderbusch, Horst Laubenthal, Helen Donath, Helga Dernesch, Herbert von Karajan, Berliner Philharmoniker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 11 in Beethoven: Fidelio (highlights) by Herbert von Karajan. The popularity of Fidelio (highlights) (1989 Digital Remaster), Act I: Mir ist so wunderbar (Marzelline/Leonore/Rocco/Jaquino) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Fidelio (highlights) (1989 Digital Remaster), Act I: Mir ist so wunderbar (Marzelline/Leonore/Rocco/Jaquino) BPM
The tempo marking of Fidelio (highlights) (1989 Digital Remaster), Act I: Mir ist so wunderbar (Marzelline/Leonore/Rocco/Jaquino) by Karl Ridderbusch, Horst Laubenthal, Helen Donath, Helga Dernesch, Herbert von Karajan, Berliner Philharmoniker is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
Fidelio (highlights) (1989 Digital Remaster), Act I: Mir ist so wunderbar (Marzelline/Leonore/Rocco/Jaquino) Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Tosca / Act III: "O dolci mani" | Giacomo Puccini, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 70 BPM | |
 | Carmina Burana / III. Cour d'amours: "Tempus est iocundum" | Carl Orff, Gundula Janowitz, Dietrich Fischer-Dieskau, Schöneberger Sängerknaben, Orchester der Deutschen Oper Berlin, Eugen Jochum | F♯ Major | 7 | 2B | 138 BPM | |
 | Rigoletto / Act 3: Chi è mai, chi è qui in sua vece? (Rigoletto, Gilda) | Giuseppe Verdi, Vladimir Chernov, Cheryl Studer, Metropolitan Opera Orchestra, James Levine | D♭ Minor | 1 | 12A | 178 BPM | |
 | Götterdämmerung, WWV 86D / Erster Aufzug: "Heil! Siegfried, teurer Held!" | Richard Wagner, Helge Brilioth, Thomas Stewart, Karl Ridderbusch, Berliner Philharmoniker, Herbert von Karajan | E Major | 3 | 12B | 82 BPM | |
 | Macbeth / Act 4: Una macchia è qui tuttora | Giuseppe Verdi, Stefania Malagu, Shirley Verrett, Carlo Zardo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D♭ Major | 0 | 3B | 82 BPM | |
 | Der Freischütz, J. 277 / Act I: "Schweig - damit dich niemand warnt!" | Carl Maria von Weber, Theo Adam, Staatskapelle Dresden, Carlos Kleiber | D Major | 4 | 10B | 94 BPM | |
 | Messa di Requiem: Agnus dei | Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker | C Major | 0 | 8B | 90 BPM | |
 | Der Rosenkavalier, Op. 59, TrV 227, Act III: Act III: Marie Theres'! … Hab' mir's gelobt (Octavian, Marschallin, Sophie, Faninal) | Richard Strauss, Lorenz Fehenberger, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Gerhard Unger, Claire Watson, Lucia Popp, Brigitte Fassbaender, Benno Kusche, Karl Ridderbusch, David Thaw, Albrecht Peter, Annelie Waas, Margarethe Bence, Georg Paskuda, Franz Klarwein, Hans Wilbrink, Carlos Kleiber | D♭ Major | 2 | 3B | 79 BPM | |
 | Mahler: Symphony No. 8 in E-Flat Major: Pt. 1, Gloria Patri Domino | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 170 BPM | |
 | Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: O namenlose Freude! | Ludwig van Beethoven, Nina Stemme, Jonas Kaufmann, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.0431907176971436
End: 1.0467956066131592