G. I. Gurdjieff, Thomas de Hartmann, Jeroen van Veen's 'Vol. I, Asian Songs and Rhythms, 2nd Series: III. Song of the Fisherwomen' came out on September 24, 2021. With Vol. I, Asian Songs and Rhythms, 2nd Series: III. Song of the Fisherwomen being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in G. I. Gurdjieff, Thomas de Hartmann, Jeroen van Veen's "Gurdjieff / De Hartmann: Complete Music for the Piano" album is number 20 out of 168. Based on our statistics, Vol. I, Asian Songs and Rhythms, 2nd Series: III. Song of the Fisherwomen's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Vol. I, Asian Songs and Rhythms, 2nd Series: III. Song of the Fisherwomen by G. I. Gurdjieff, Thomas de Hartmann, Jeroen van Veen to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Birdwoman | Poppy Ackroyd, Joe Acheson, Ben Thackeray, Mandy Parnell, Poppy Ackroyd;Joe Acheson;Ben Thackeray;Mandy Parnell | G Minor | 1 | 6A | 76 BPM | ||
7 Songs for Piano: No. 6, This Night, the Moonlit Night | Komitas, Mikael Ayrapetyan | D♭ Major | 0 | 3B | 71 BPM | ||
Suite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): II. Nana | Manuel de Falla, Rohan De Saram, Junko Yamamoto | A Major | 0 | 11B | 64 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
LULLABY TO ETERNITY / Alice Sara Ott: Lullaby To Eternity (on fragments of W.A. Mozart's "Lacrimosa") | Alice Sara Ott | D Minor | 0 | 7A | 82 BPM | ||
Chonguri | Sulkhan Tsintsadze, Thomas Demenga, Thomas Larcher | E Minor | 0 | 9A | 169 BPM | ||
Musica Universalis | Alex Baranowski, Daniel Hope, Chie Peters, Jacques Ammon, Deutsches Kammerorchester Berlin | A Major | 1 | 11B | 74 BPM | ||
Winter Meditation (after The Four Seasons, Violin Concerto, RV 297: II. Largo) | Antonio Vivaldi, Eldbjørg Hemsing, Hestia String Quartet | E♭ Major | 3 | 5B | 174 BPM | ||
Flowering Jasmine | Georgs Pelēcis, Gidon Kremer | A Minor | 0 | 8A | 135 BPM | ||
Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM |
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