"O magnum mysterium" by Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt had its release date on October 26, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Morten Lauridsen, Chamber Choir Of Europe, I Virtuosi Italiani, Nicol Matt's "Light Eternal – The Choral Music of Morten Lauridsen" album is number 16 out of 17. On top of that, Germany appears to be the country where this track was created. In terms of popularity, O magnum mysterium is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O magnum mysterium by Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat: III. Et misericordia (Version for Full Orchestra) | Taylor Scott Davis, VOCES8, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Barnaby Smith, Thomas Gould | B♭ Major | 4 | 6B | 110 BPM | ||
Lully, Lulla, Lullay | Philip Stopford, Caroline Halls, Owen Rees | F Minor | 0 | 4A | 86 BPM | ||
Charpentier: Messe de minuit pour Noël, H. 9: "Kyrie eleison" | Marc-Antoine Charpentier, William Christie, Les Arts Florissants | C Minor | 1 | 5A | 70 BPM | ||
Bach: Herz und Mund und Tat und Leben, BWV 147: Chorale. "Jesus bleibet meine Freude, Meines Herzen Lust und Saft" | Johann Sebastian Bach, Choir of King's College, Cambridge, Sir David Willcocks, Academy of St. Martin in the Fields | G Major | 1 | 9B | 94 BPM | ||
Il Est Né Le Divin Enfant | Chanticleer | A♭ Major | 0 | 4B | 140 BPM | ||
The Snow | Edward Elgar, LaCappella, LaCappella 2.0, LaCappella Nuova, Veronika Bauer | E♭ Major | 2 | 5B | 73 BPM | ||
Adam Lay Ybounden | The Sixteen | D Major | 2 | 10B | 0 BPM | ||
Magnificat primi toni a 8 | Giovanni Pierluigi da Palestrina, Stephen Cleobury, Choir of King's College, Cambridge | C Minor | 2 | 5A | 81 BPM | ||
Virga Jesse, WAB 52: Virga jesse floruit, WAB 52 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | G Major | 0 | 9B | 91 BPM | ||
Christ lag in Todesbanden, BWV 4: I. Sinfonia | Johann Sebastian Bach, Gewandhausorchester, New Bach Collegium Musicum Leipzig, Hans-Joachim Rotzsch, Ludwig Güttler, Gerhard Essbach, Karl Semsch, Rolf Bachmann, Walter Heinz Bernstein, Burkhard Schmidt, Achim Beyer, Gerd Schulze | D Major | 2 | 10B | 178 BPM |