"Charade "Scenes from the '60s": I. Student Power" by George Lloyd, BBC Philharmonic was released on March 1, 2024. With this song being about 5 minutes long, at 4:58, "Charade "Scenes from the '60s": I. Student Power" by George Lloyd, BBC Philharmonic is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Lloyd, Albany Symphony Orchestra, BBC Philharmonic's "George Lloyd: The Symphonies Nos. 1-6" album is number 11 out of 29. On top of that, United Kingdom appears to be the country where this track was created. Charade "Scenes from the '60s": I. Student Power is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Charade "Scenes from the '60s": I. Student Power by George Lloyd, BBC Philharmonic to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shchedrin: Carmen Suite: I. Introduction (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | D♭ Major | 4 | 3B | 154 BPM | ||
Suite in G Major, P. 58 (Original Version): III. Pastorale: Andante molto sostenuto | Ottorino Respighi, Kyler Brown, Chamber Orchestra of New York, Salvatore Di Vittorio | D Minor | 1 | 7A | 104 BPM | ||
Manon Lescaut Intermezzo sinfonico, 900864: Manon Lescaut Intermezzo sinfonico, 3. Act | Giacomo Puccini, Ivan Repušić, Munich Radio Orchestra | A Major | 1 | 11B | 111 BPM | ||
41 Klavierstücke, Op. 93: No. 22 Andante | The Gerst Ensemble | D Major | 0 | 10B | 77 BPM | ||
Psalm 130 | George Lloyd, The Exon Singers, Matthew Owens | D♭ Major | 1 | 3B | 78 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | ||
Symphonic Suite "White Night": I. White Night | Heino Eller, Estonian National Symphony Orchestra, Olari Elts | F♯ Minor | 0 | 11A | 108 BPM | ||
Sonatine, M. 40: II. Mouvement de menuet (Arr. for Orchestra by John Rutter) | Maurice Ravel, John Rutter, Manchester Camerata | D♭ Major | 1 | 3B | 91 BPM | ||
The Wooden Prince, Sz. 60 (Final Version): V. Second Dance - The Dance of the Trees | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
Suite from The Miraculous Mandarin, Op. 19, Sz. 73, BB 82: I. Introduction | Béla Bartók, The Cleveland Orchestra, Franz Welser-Möst | F Minor | 1 | 4A | 101 BPM |
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