Johannes Brahms, Elly Ameling, Dalton Baldwin made "5 Lieder, Op. 49: 4. Wiegenlied" available on October 27, 2022. The duration of 5 Lieder, Op. 49: 4. Wiegenlied is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. 5 Lieder, Op. 49: 4. Wiegenlied's duration is considered a little bit shorter than the average duration of a typical track. The song is number 43 out of 303 in Brahms: A Classical October by Johannes Brahms. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. 5 Lieder, Op. 49: 4. Wiegenlied is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of 5 Lieder, Op. 49: 4. Wiegenlied by Johannes Brahms, Elly Ameling, Dalton Baldwin is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Lieder, Op. 49: No. 4. Wiegenlied (arr. P. Nagy): Cradle Song (trans. P. Nagy) | Péter Nagy, Johannes Brahms | E♭ Major | 0 | 5B | 134 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007: I. Prélude | Johann Sebastian Bach, Yo-Yo Ma | G Major | 2 | 9B | 73 BPM | ||
Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song) | Felix Mendelssohn, Péter Nagy | G Minor | 0 | 6A | 72 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | ||
Violin Sonata No. 1 in G Major, Op. 78: Vivace ma non troppo | Johannes Brahms, Ilya Kaler, Alexander Peskanov | D Major | 1 | 10B | 78 BPM |
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