Johannes Brahms, János Rolla, Franz Liszt Chamber Orchestra's 'Brahms / Orch. Hidas: 21 Hungarian Dances, WoO 1: No. 2 in D Minor' came out on April 28, 2023. The duration of Brahms / Orch. Hidas: 21 Hungarian Dances, WoO 1: No. 2 in D Minor is about 3 minutes long, at 3:01. Based on our data, "Brahms / Orch. Hidas: 21 Hungarian Dances, WoO 1: No. 2 in D Minor" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 21 in Brahms: Hungarian Dances, WoO 1 (Orch. Hidas) by Johannes Brahms, János Rolla, Franz Liszt Chamber Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Brahms / Orch. Hidas: 21 Hungarian Dances, WoO 1: No. 2 in D Minor's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Brahms / Orch. Hidas: 21 Hungarian Dances, WoO 1: No. 2 in D Minor by Johannes Brahms, János Rolla, Franz Liszt Chamber Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
Fantasia dall'Italia: "Nel cor più non mi sento" dalla Bella Molinara di Giovanni Paisiello, Op. 4: IV. Variazione II più mossa | Theobald Boehm, Claudio Ferrarini, Accademia Farnese | G Major | 5 | 9B | 149 BPM | ||
Quintet in F Major for Bassett Horn and Strings, Op.9 / II.Adagio ma non troppo | Johann Georg Heinrich Backofen, Eybler Quartet, Jane Booth, Max Mandel | B♭ Major | 0 | 6B | 88 BPM | ||
Sonata No. 1 in B-Flat Major, G.25: I. Allegro con Moto | Luigi Boccherini, Igor Ruhadze, Alexandra Nepomnyashchaya | E Minor | 0 | 9A | 139 BPM | ||
Prelude, opus 28 - No.7 | Frédéric Chopin, Ensemble Ferblanc | A Major | 0 | 11B | 77 BPM | ||
Concerto for Flute and Orchestra in D Major: III. Rondo | Friedrich Schwindl, Rheinisches Kammerorchester Köln, Jan Corazolla, Ricards Bröhl | D Major | 1 | 10B | 139 BPM | ||
ディヴェルティメント K.136~第2楽章(モーツァルト) | ベルリン室内管弦楽団 | G Major | 0 | 9B | 117 BPM | ||
La vestale, Act I: Marche pour le départ des Vestales | Gaspare Spontini, Les Talens Lyriques, Christophe Rousset | B♭ Major | 3 | 6B | 78 BPM | ||
4 Romantic Pieces, Op. 75: No. 2, Allegro maestoso | Antonín Dvořák, Anthony Marwood, Susan Tomes | F Major | 1 | 7B | 141 BPM | ||
Spängler-Menuett VI | Leopold Mozart, Bankhaus Spängler | G Major | 1 | 9B | 138 BPM |
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