""Non piangere Liù" from Act I of Turandot" by Giacomo Puccini, José Carreras, Lorin Maazel, Vienna State Opera Orchestra was released on 1984. The duration of "Non piangere Liù" from Act I of Turandot is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. "Non piangere Liù" from Act I of Turandot's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "The Essential José Carreras". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. "Non piangere Liù" from Act I of Turandot is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With "Non piangere Liù" from Act I of Turandot by Giacomo Puccini, José Carreras, Lorin Maazel, Vienna State Opera Orchestra having a BPM of 51 with a half-time of 26 BPM and a double-time of 102 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | ||
Lucia di Lammermoor / Act 3: "Ohimè! sorge il tremendo fantasma" | Gaetano Donizetti, Dame Joan Sutherland, Pier Francesco Poli, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 3 | 4A | 133 BPM | ||
La figlia del reggimento (Atto 1) (1997 Digital Remaster): Convien partir | Maria Callas, Orchestre De La Société Des Concerts Du Conservatoire, Nicola Rescigno | D♭ Major | 1 | 3B | 87 BPM | ||
Lucia di Lammermoor: Fra poco a me ricovero | Gaetano Donizetti, Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | D Major | 1 | 10B | 76 BPM | ||
La Africana: "O paradiso" | Mario del Monaco | D♭ Major | 2 | 3B | 93 BPM | ||
Carmen: Act I: Dans l'air nous suivons des yeux la fumee | Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan Marinov | E Major | 1 | 12B | 78 BPM | ||
La bohème / Act 3: "Musetta! O gioia della mia dimora! - Testa adorata" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E♭ Major | 3 | 5B | 70 BPM | ||
Medea (Medee), Act I: Recitative: Taci, Giason - Dei tuoi figli la madre (Sung in Italian) | Luigi Cherubini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Leonard Bernstein | F Major | 2 | 7B | 82 BPM | ||
Romeo and Juliet, Op. 64 - Act 2: Dance Of the Five Couples | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | F Major | 2 | 7B | 89 BPM | ||
Le Cid: O suoverain! O jugue! O pere! | Mario del Monaco | D Major | 4 | 10B | 84 BPM |
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