"Piano Sonata No. 2, Op. 64, "The Fire Sermon": I. Molto Allegro" by Einojuhani Rautavaara, Izumi Tateno was released on January 1, 1987. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "Rautavaara, E.: Piano Music - The Fiddlers / Icons / Piano Sonata No. 1 / Etudes". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Finland. In terms of popularity, Piano Sonata No. 2, Op. 64, "The Fire Sermon": I. Molto Allegro is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Piano Sonata No. 2, Op. 64, "The Fire Sermon": I. Molto Allegro by Einojuhani Rautavaara, Izumi Tateno having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Harmony of Angels | LeoRoads | E Minor | 2 | 9A | 130 BPM | ||
Hary Janos Suite: Háry János Suite: III. Song | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | G Major | 0 | 9B | 72 BPM | ||
La mer, L. 109: I. De l'aube à midi sur la mer | Claude Debussy, Cleveland Orchestra, Pierre Boulez | F♯ Major | 0 | 2B | 134 BPM | ||
Schicksalslied, Op. 54: Orchestral Postlude with Choir (alternate version) | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | A Major | 0 | 11B | 82 BPM | ||
Rapsodie Negre: I. Prélude | Francis Poulenc, Badke Quartet, Lisa Friend, Julian Bliss, Malcolm Martineau | C Minor | 0 | 5A | 67 BPM | ||
6 Bagatelles: No. 1, Allegro con spirito | György Ligeti, Berlin Philharmonic Wind Quintet | C Major | 1 | 8B | 92 BPM | ||
Figure humaine, FP 120: II. Le Role des Femmes | Francis Poulenc, Tenebrae, Nigel Short | A Minor | 0 | 8A | 179 BPM | ||
Vigilia: Vespers: Sticheron to the Mother of God | Einojuhani Rautavaara, Jyrki Korhonen, Topi Lehtipuu, Pia Freund, Lilli Paasikivi, Petteri Salomaa, Finnish Radio Chamber Choir, Timo Nuoranne | D Minor | 2 | 7A | 131 BPM | ||
Ligeti : Romanian Concerto : III Adagio, ma non troppo | György Ligeti, Jonathan Nott, Berliner Philharmoniker | F Major | 0 | 7B | 73 BPM |
Section: 0.623011589050293
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