Hugo Alfvén, Academy Chamber Choir of Uppsala, Stefan Parkman made "Glädjens blomster" available on May 1, 1997. The duration of Glädjens blomster is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Glädjens blomster's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Swedish A Cappella, Vol. 1". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Glädjens blomster is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Glädjens blomster by Hugo Alfvén, Academy Chamber Choir of Uppsala, Stefan Parkman having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Auringon noustessa, Op. 11/3 | Toivo Kuula, Tapiola Choir, YL Male Voice Choir, Pasi Hyökki | E Major | 2 | 12B | 104 BPM | ||
A fikk jeg kun vaere den minste kvist (arr. F. Valen) | Fartein Valen, Nils Lindhjem, Goteborgs Domkyrkokoren, Gustavikoren, Ann Mari Rydberg-Fernlund | G Minor | 1 | 6A | 73 BPM | ||
Varen kommer till var frojd | Theodoricus Petri Nylandensis, Orebro Kammarkor, Fred Sjoberg | A♭ Major | 1 | 4B | 86 BPM | ||
Utskärgård | Swedish Radio Symphony Orchestra | F Minor | 3 | 4A | 183 BPM | ||
Samuel Coleridge-Taylor: Hiawatha’s Wedding Feast: You shall hear how Pau-Puk-Keewis | Samuel Coleridge-Taylor, Philharmonia Orchestra, Royal Choral Society, Richard Lewis, Sir Malcolm Sargent | G Major | 2 | 9B | 89 BPM | ||
Vårsøg | Grex Vocalis | B♭ Minor | 1 | 3A | 151 BPM | ||
The Blue Bird, Op. 119 No. 3 | Charles Villiers Stanford, Simon Phipps, Swedish Chamber Choir | F♯ Major | 0 | 2B | 124 BPM | ||
Gustav Adolf II, Op. 49: Elegy | Hugo Alfvén, Helsingborg Symphony Orchestra, Okko Kamu | F♯ Major | 0 | 2B | 60 BPM | ||
Bergakungen (The Mountain King), Op. 37: Act II: Vallpojken och Humpe (The herdboy and Humpe) | Hugo Alfvén, Swedish Radio Symphony Orchestra, Yevgeny Svetlanov | D Minor | 1 | 7A | 115 BPM | ||
The Isle is Full of Noises | Bob Chilcott, Wellensian Consort, Christopher Finch | A Minor | 0 | 8A | 104 BPM |
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