"The Rite of Spring: Part Two - The Sacrifice - Introduction" by Igor Stravinsky, New York Philharmonic, Columbia Symphony Orchestra was released on 1948. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Igor Stravinsky's "Igor Stravinsky - Le sacre du printemps (100th Anniversary Collectors Edition)" album is number 9 out of 145. On top of that, United States appears to be the country where this track was created. The popularity of The Rite of Spring: Part Two - The Sacrifice - Introduction is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Rite of Spring: Part Two - The Sacrifice - Introduction by Igor Stravinsky, New York Philharmonic, Columbia Symphony Orchestra to be Vivace (lively and fast) because the track has a tempo of 175 BPM, a half-time of 88BPM, and a double-time of 350 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Violin and Piano in A: 2. Allegro- Quasi lento- Tempo 1 (Allegro) | César Franck, Kaja Danczowska, Krystian Zimerman | D♭ Minor | 2 | 12A | 87 BPM | ||
Scheherazade: Sea Birds | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 46 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 2: The Sacrifice: Glorification of the Chosen One | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 4 | 6B | 134 BPM | ||
Prologue: Chorus of Exiled Palestinians | John Adams, Kent Nagano, The Opera De Lyon, London Opera Chorus | F Minor | 0 | 4A | 90 BPM | ||
Les Noces, Première partie, Premier tableau: Chez le marié | Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Susan Parry, Vsevolod Grivnov, Maxim Mikhailov, Daniel Reuss | E♭ Major | 1 | 5B | 131 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Le tombeau de Couperin (arr. Z. Kocsis): V. Menuet: Allegretto moderato | Zoltán Kocsis, Maurice Ravel, Hungarian National Philharmonic | G Major | 0 | 9B | 97 BPM | ||
Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto | Johannes Brahms, David Zinman | E Major | 0 | 12B | 92 BPM | ||
Oedipus Rex, Prologue and Act I: "Spectateurs, vous allez entendre…" | Igor Stravinsky, London Symphony Orchestra, Stuart Skelton, Fanny Ardant, The Monteverdi Choir, John Eliot Gardiner | B♭ Minor | 1 | 3A | 172 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM |
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