Messiah, HWV 56 / Pt. 2: "He Was Despised"
George Frideric Handel, Anna Reynolds, Academy of St. Martin in the Fields, Sir Neville Marriner
Ultimate Handel
4:46 January 1, 2007
BPM
69
Key
F♯ Minor
Camelot
11A

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Messiah, HWV 56 / Pt. 2: "He Was Despised" - George Frideric Handel, Anna Reynolds, Academy of St. Martin in the Fields, Sir Neville Marriner Information

Acousticness
96%
Danceability
32%
Energy
3%
Instrumentalness
0%
Liveness
13%
Loudness
56%
Speechiness
4%
Valence
18%
Popularity
Loudness
-26.415 dB

Summary

"Messiah, HWV 56 / Pt. 2: "He Was Despised"" by George Frideric Handel, Anna Reynolds, Academy of St. Martin in the Fields, Sir Neville Marriner was released on January 1, 2007. With this song being about 5 minutes long, at 4:46, "Messiah, HWV 56 / Pt. 2: "He Was Despised"" by George Frideric Handel, Anna Reynolds, Academy of St. Martin in the Fields, Sir Neville Marriner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 104 in the song's album "Ultimate Handel". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Messiah, HWV 56 / Pt. 2: "He Was Despised" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Messiah, HWV 56 / Pt. 2: "He Was Despised" BPM

With Messiah, HWV 56 / Pt. 2: "He Was Despised" by George Frideric Handel, Anna Reynolds, Academy of St. Martin in the Fields, Sir Neville Marriner having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Messiah, HWV 56 / Pt. 2: "He Was Despised" Key

This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

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ISRC
GBF077640611
Label
L-M Records/RCA Records

Section: 0.6826252937316895

End: 0.6858415603637695