Tritsch-Tratsch-Polka, Op. 214 - Johann Strauss II, Academy of St. Martin in the Fields, Sir Neville Marriner Information

Acousticness: 89%
Danceability: 52%
Energy: 26%
Instrumentalness: 6%
Liveness: 33%
Loudness: 71%
Speechiness: 5%
Valence: 67%
Popularity: 6%
Loudness: -17.458 dB

Summary

Johann Strauss II, Academy of St. Martin in the Fields, Sir Neville Marriner made "Tritsch-Tratsch-Polka, Op. 214" available on August 1, 1988. The duration of Tritsch-Tratsch-Polka, Op. 214 is about 3 minutes long, at 3:00. Based on our data, "Tritsch-Tratsch-Polka, Op. 214" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of With Love From Vienna by Sir Neville Marriner, Academy of St. Martin in the Fields. The song's track number on the album is #4 out of 9 tracks. Based on our statistics, Tritsch-Tratsch-Polka, Op. 214's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Tritsch-Tratsch-Polka, Op. 214 BPM

Since Tritsch-Tratsch-Polka, Op. 214 by Johann Strauss II, Academy of St. Martin in the Fields, Sir Neville Marriner has a tempo of 151 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Tritsch-Tratsch-Polka, Op. 214 being at 151 BPM, the half-time would be 76 BPM with a double-time of 302 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 4/4.

Tritsch-Tratsch-Polka, Op. 214 Key

This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Serenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valse	Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet	G Major	1	9B	66 BPM
Peer Gynt, Op. 23: No. 16, Anitra's Dance	Edvard Grieg, San Francisco Symphony, Herbert Blomstedt	A Minor	0	8A	82 BPM
Coppelia: Act I - Valse	Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia	E♭ Major	0	5B	89 BPM
Music for the Royal Fireworks: Suite HWV 351: IV. La Réjouissance	George Frideric Handel, The English Concert, Trevor Pinnock	D♭ Major	6	3B	107 BPM
Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Lobgesang": Ib. Allegretto un poco agitato	Felix Mendelssohn, NDR Radiophilharmonie, Andrew Manze	G Minor	0	6A	109 BPM
Ein Sommernachtstraum (A Midsummer's Night Dream): VII. Hochzeitsmarsch / Marche nuptiale	Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe	C Major	2	8B	82 BPM
Chopin: Grand Valse Brillante in A, Op. 18	Ruth Laredo	A♭ Major	2	4B	75 BPM
Tritsch-Tratsch-Polka, Op. 214 "Triqui Traqui" - Arr. by Paul Desenne	Johann Strauss II, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel	A Major	6	11B	88 BPM
Emperor Waltz Op. 437	Johann Strauss II, Hallé, Bryden Thomson	C Major	0	8B	186 BPM
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto "O Freunde, nicht diese Töne!" (Excerpt)	Ludwig van Beethoven, Riccardo Muti, James Morris, Philadelphia Orchestra	B♭ Major	0	6B	77 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7456517219543457

End: 0.7502751350402832