"Busoni: Piano Sonatina No. 6 "Chamber Fantasy After Carmen"" by Ferruccio Busoni, Claudio Arrau was released on October 14, 2022. Since Busoni: Piano Sonatina No. 6 "Chamber Fantasy After Carmen" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 235 in the song's album "The Complete Warner Classics Recordings". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Busoni: Piano Sonatina No. 6 "Chamber Fantasy After Carmen" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Busoni: Piano Sonatina No. 6 "Chamber Fantasy After Carmen" by Ferruccio Busoni, Claudio Arrau having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Suite No. 2 (Set I) in F Major, HWV 427: I. Adagio | George Frideric Handel, Philip Edward Fisher | D Minor | 0 | 7A | 72 BPM | ||
Années de pèlerinage I, S. 160: III. Pastorale | Franz Liszt, Lazar Berman | F Minor | 4 | 4A | 107 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Glinka/Balakirev: The Lark (L'Alouette) | Glinka/Balakirev, Philip Fowke | B♭ Minor | 0 | 3A | 77 BPM | ||
Lyric Pieces Book X, Op. 71: No. 3 Puck | Edvard Grieg, Emil Gilels | B Major | 1 | 1B | 92 BPM | ||
12 German Dances, D790: No.6 | Franz Schubert, Mitsuko Uchida | A♭ Major | 0 | 4B | 111 BPM | ||
Pièces de clavecin, Book 1, 5th Ordre: Pieces de clavecin, Book 1: 5th Ordre in A Major-minor: La Tendre Fanchon (arr. I. Friedman for piano) | Ignaz Friedman, François Couperin, Joseph Banowetz | A Minor | 0 | 8A | 84 BPM | ||
Piano Concerto Op. 39 (1989 Digital Remaster): II. Pezzo giocoso | Ferruccio Busoni, John Ogdon, Daniell Revenaugh, Royal Philharmonic Orchestra | E Major | 2 | 12B | 72 BPM | ||
Saint-Saëns: 6 Études, Op. 111: No. 4, Les cloches de Las Palmas | Camille Saint-Saëns, Bertrand Chamayou | D♭ Minor | 1 | 12A | 133 BPM | ||
Nocturne No. 3 in A-Flat Major | John Field, Benjamin Frith | A♭ Major | 0 | 4B | 70 BPM |
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