"Messa da Requiem: 3. Offertorium" by Giuseppe Verdi, Florence Quivar, Vinson Cole, Simon Estes, Sharon Sweet, Berliner Philharmoniker, Carlo Maria Giulini was released on January 1, 2008. Messa da Requiem: 3. Offertorium appears to be safe for all ages as it is not explicit. This song is part of Verdi: Messa da Requiem by Giuseppe Verdi, Sharon Sweet, Florence Quivar, Vinson Cole, Simon Estes, Berliner Philharmoniker, Carlo Maria Giulini. The song's track number on the album is #1 out of 15 tracks. Based on our data, Germany was the country where this track was produced or recorded. Messa da Requiem: 3. Offertorium is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Messa da Requiem: 3. Offertorium by Giuseppe Verdi, Florence Quivar, Vinson Cole, Simon Estes, Sharon Sweet, Berliner Philharmoniker, Carlo Maria Giulini has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Messa da Requiem: 3. Offertorium being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana / 2. In Taberna: "Estuans interius" | Carl Orff, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | A Minor | 4 | 8A | 84 BPM | ||
Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesple, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
La Traviata / Act 2: "Ah, vive sol quel core" | Giuseppe Verdi, Plácido Domingo, Walter Gullino, Paul Winter, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | F Minor | 1 | 4A | 99 BPM | ||
Pagliacci, Act I: "Recitar! Vesti la giubba" (Canio) | Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco | E Major | 2 | 12B | 89 BPM | ||
Madame Butterfly: "Addio fiorito asil" | Mario del Monaco | D♭ Major | 4 | 3B | 88 BPM | ||
Gianni Schicchi: "O mio babbino caro" | Giacomo Puccini, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 2 | 4B | 98 BPM | ||
Il barbiere di Siviglia / Act 1: "Largo al factotum" | Gioachino Rossini, Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè | G Major | 2 | 9B | 69 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève" | Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | C Major | 3 | 8B | 77 BPM | ||
Swan Lake Suite, Op. 20: Scène | London Philharmonic Orchestra | E Minor | 3 | 9A | 77 BPM | ||
Cavalleria rusticana: Voi lo sapete | Pietro Mascagni, Agnes Baltsa, Munich Radio Orchestra, Heinz Wallberg | A Major | 1 | 11B | 123 BPM |
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