"Lakmé / Act 1: C'est le dieu de la jeunesse" by Léo Delibes, Alain Vanzo, Dame Joan Sutherland, Emile Belcourt, Gabriel Bacquier, Monte Carlo Opera Choir, Monte-Carlo Philharmonic Orchestra, Richard Bonynge was released on January 1, 1968. With this song being about 5 minutes long, at 4:57, "Lakmé / Act 1: C'est le dieu de la jeunesse" by Léo Delibes, Alain Vanzo, Dame Joan Sutherland, Emile Belcourt, Gabriel Bacquier, Monte Carlo Opera Choir, Monte-Carlo Philharmonic Orchestra, Richard Bonynge is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 13 out of 36 in Delibes: Lakmé by Léo Delibes, Dame Joan Sutherland, Gabriel Bacquier, Emile Belcourt, Jane Berbié, Monte-Carlo Philharmonic Orchestra, Richard Bonynge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Lakmé / Act 1: C'est le dieu de la jeunesse is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lakmé / Act 1: C'est le dieu de la jeunesse by Léo Delibes, Alain Vanzo, Dame Joan Sutherland, Emile Belcourt, Gabriel Bacquier, Monte Carlo Opera Choir, Monte-Carlo Philharmonic Orchestra, Richard Bonynge is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
16 Waltzes, Op. 39 (1867 version): No. 3 in G-Sharp Minor | Johannes Brahms, Idil Biret | A♭ Minor | 0 | 1A | 124 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 1, Allegro moderato | Antonín Dvořák, Renaud Capuçon, Khatia Buniatishvili | B♭ Major | 1 | 6B | 107 BPM | ||
Rinaldo, HWV 7: Lascia ch'io pianga (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Major | 0 | 7B | 68 BPM | ||
La source, ou Naila: Suite No. 3: Suite No. 3: Finale | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 66 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song) | Felix Mendelssohn, Péter Nagy | G Minor | 0 | 6A | 72 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
The Four Seasons, Violin Concerto No. 2 in G Minor, RV 315 "L'estate": III. Tempo impetuoso d'estate | Antonio Vivaldi, Europa Galante, Fabio Biondi | F♯ Major | 6 | 2B | 85 BPM | ||
Petite Suite de Concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chineke! Orchestra, Anthony Parnther | D Major | 0 | 10B | 62 BPM |
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