Joseph Haydn, Jean-Efflam Bavouzet made "Sonata No. 14 in C Major, Hob. XVI: 3: Sonata No. 14 in C Major, Hob. XVI: 3: III. Menuetto" available on July 29, 2022. The duration of Sonata No. 14 in C Major, Hob. XVI: 3: Sonata No. 14 in C Major, Hob. XVI: 3: III. Menuetto is about 3 minutes long, at 3:02. Based on our data, "Sonata No. 14 in C Major, Hob. XVI: 3: Sonata No. 14 in C Major, Hob. XVI: 3: III. Menuetto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Joseph Haydn, Jean-Efflam Bavouzet's "Haydn: Piano Sonatas, Vol. 11" album is number 11 out of 25. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Sonata No. 14 in C Major, Hob. XVI: 3: Sonata No. 14 in C Major, Hob. XVI: 3: III. Menuetto is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Sonata No. 14 in C Major, Hob. XVI: 3: Sonata No. 14 in C Major, Hob. XVI: 3: III. Menuetto by Joseph Haydn, Jean-Efflam Bavouzet to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | F♯ Minor | 0 | 11A | 84 BPM | ||
Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto | Johann Sebastian Bach, Monica Huggett, John Toll, Pavlo Beznosiuk, Richard Campbell, Richard Tunnicliffe, Sarah Cunningham, William Hunt, Orchestra of the Age of Enlightenment | D Major | 0 | 10B | 81 BPM | ||
L'Engageante: 13ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | B Minor | 1 | 10A | 75 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | D Major | 1 | 10B | 60 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
Symphony in E-Flat Major, Op. 11, No. 3: I. Allegro assai | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | B♭ Major | 2 | 6B | 154 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Adagio, Theme and Variations in F for Oboe and Orchestra, Op. 102: III. Variation 1 | Johann Nepomuk Hummel, Diana Doherty, Werner Andreas Albert, Queensland Symphony Orchestra | F Major | 0 | 7B | 74 BPM |
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