Samson et Dalila, Op. 47: Act I: Dieu! Dieu d'Israel!
Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier
Saint-Saens: Samson Et Dalila (Paris Opera) (1946)
9:30 February 18, 2001
BPM
96
Key
B♭ Major
Camelot
6B

Embed

Share Link

Samson et Dalila, Op. 47: Act I: Dieu! Dieu d'Israel! - Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier Information

Acousticness
96%
Danceability
25%
Energy
36%
Instrumentalness
0%
Liveness
8%
Loudness
88%
Speechiness
3%
Valence
46%
Popularity
Loudness
-7.285 dB

Summary

Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier made "Samson et Dalila, Op. 47: Act I: Dieu! Dieu d'Israel!" available on February 18, 2001. Since Samson et Dalila, Op. 47: Act I: Dieu! Dieu d'Israel! is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 30 in the song's album "Saint-Saens: Samson Et Dalila (Paris Opera) (1946)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Samson et Dalila, Op. 47: Act I: Dieu! Dieu d'Israel! is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Samson et Dalila, Op. 47: Act I: Dieu! Dieu d'Israel! BPM

With Samson et Dalila, Op. 47: Act I: Dieu! Dieu d'Israel! by Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Samson et Dalila, Op. 47: Act I: Dieu! Dieu d'Israel! Key

B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Symphony No. 40 in G Minor, K. 550: I. Allegro molto by Wolfgang Amadeus Mozart, Capella Istropolitana, Barry WordsworthSymphony No. 40 in G Minor, K. 550: I. Allegro moltoWolfgang Amadeus Mozart, Capella Istropolitana, Barry WordsworthG Minor26A109 BPM
Berceuse in B-Flat Major, Op. 38 by Camille Saint-Saëns, Fanny Clamagirand, Vanya CohenBerceuse in B-Flat Major, Op. 38Camille Saint-Saëns, Fanny Clamagirand, Vanya CohenE Major112B71 BPM
Lullaby, Op. 57 No. 2 (Arr. for Cello & Piano) by Cyril Scott, Richard Jenkinson, Benjamin FrithLullaby, Op. 57 No. 2 (Arr. for Cello & Piano)Cyril Scott, Richard Jenkinson, Benjamin FrithD Major010B91 BPM
Einaudi: Una mattina by Ludovico Einaudi, Gautier Capuçon, Jerome DucrosEinaudi: Una mattinaLudovico Einaudi, Gautier Capuçon, Jerome DucrosA Minor08A87 BPM
Samson et Dalila, Op. 47: Act II: Mon coeur s'ouvre a ta vox... by Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis FourestierSamson et Dalila, Op. 47: Act II: Mon coeur s'ouvre a ta vox...Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis FourestierD♭ Major13B87 BPM
Gnossienne No. 1 by Alena ChernyGnossienne No. 1Alena ChernyF Minor04A72 BPM
Samson et Dalila, Op. 47: Act I: Qui donc eleve ici la voix? by Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis FourestierSamson et Dalila, Op. 47: Act I: Qui donc eleve ici la voix?Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis FourestierD Minor07A101 BPM
Henry VIII: Scherzetto by Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew MogreliaHenry VIII: ScherzettoCamille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew MogreliaB♭ Major06B92 BPM
Shostakovich: Fugue No. 7 In A Major by Dmitri Shostakovich, Joachim KwetzinskyShostakovich: Fugue No. 7 In A MajorDmitri Shostakovich, Joachim KwetzinskyA Major111B79 BPM
Le roi s'amuse: Passepied by Léo Delibes, Slovak Philharmonic, Ondrej LenardLe roi s'amuse: PassepiedLéo Delibes, Slovak Philharmonic, Ondrej LenardA Major111B88 BPM
ISRC
HKI190015201
Label
L-M Records/RCA Records

Section: 0.7416303157806396

End: 0.7458012104034424