Johann Sebastian Bach, Ann Monoyios, The Bach Choir Of Bethlehem, The Bach Festival Orchestra, Greg Funfgeld made "Jauchzet Gott in allen Landen!, BWV 51: Recitative: Wir beten zu dem Tempel an (Soprano)" available on January 1, 2002. The duration of Jauchzet Gott in allen Landen!, BWV 51: Recitative: Wir beten zu dem Tempel an (Soprano) is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Jauchzet Gott in allen Landen!, BWV 51: Recitative: Wir beten zu dem Tempel an (Soprano)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 21 in Bach, J.S.: Ascension Oratorio / Jauchzet Gott in Allen Landen / O Ewiges Feuer, O Ursprung Der Liebe by Johann Sebastian Bach, Greg Funfgeld. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Jauchzet Gott in allen Landen!, BWV 51: Recitative: Wir beten zu dem Tempel an (Soprano) is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Jauchzet Gott in allen Landen!, BWV 51: Recitative: Wir beten zu dem Tempel an (Soprano) by Johann Sebastian Bach, Ann Monoyios, The Bach Choir Of Bethlehem, The Bach Festival Orchestra, Greg Funfgeld is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | F Major | 1 | 7B | 62 BPM | ||
Johannes-Passion, BWV 245.1: 2. Recitativo: Jesus ging mit seinen Jüngern | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Daniel Ochoa | D Major | 2 | 10B | 172 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
Concerto in C Minor for Violin & Oboe, BWV 1060R: 1. Allegro | Johann Sebastian Bach, Janine Jansen, Ramon Ortega Quero, Boris Brovtsyn, Cindy Albracht, Frederik Paulsson, Julia-Maria Kretz, Tijmen Huisingh, Monika Urbonaite, Nimrod Guez, Pauline Sachse, Maarten Jansen, Rick Stotijn, Jan Jansen | D Major | 1 | 10B | 136 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : II. Alla Siciliana | Cologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Lucas Barr, Christine Pichlmeier, Antonio Vivaldi | F♯ Minor | 1 | 11A | 129 BPM | ||
Bach, JS: Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus Tragicus": No. 2, Chöre, Arioso und Aria. "Gottes Zeit ist die allerbeste Zeit" (Arr. Kurtág for Piano 4-Hands) | Johann Sebastian Bach, Alexandre Tharaud, David Fray | B Minor | 0 | 10A | 111 BPM | ||
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 77 BPM | ||
Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM |
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