Johann Simon Mayr, Yvonne Prentki, Andrea Lauren Brown, Concerto de Bassus, Franz Hauk's 'I Cherusci, Act I: Taci...' came out on February 8, 2019. Since I Cherusci, Act I: Taci... is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Simon Mayr, Franz Hauk, Concerto de Bassus, Markus Schäfer, Yvonne Prentki's "Mayr: I Cherusci" album is number 20 out of 41. On top of that, Hong Kong appears to be the country where this track was created. I Cherusci, Act I: Taci... is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of I Cherusci, Act I: Taci... by Johann Simon Mayr, Yvonne Prentki, Andrea Lauren Brown, Concerto de Bassus, Franz Hauk to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mysliveček: Il Bellerofonte: "Pria ch’io perda" (Ariobate) | Josef Mysliveček, Vaclav Luks, Krystian Adam | A Major | 1 | 11B | 78 BPM | ||
Christus am Ölberge, Op. 85: 6c. "Welten singen Dank und Ehre" | Ludwig van Beethoven, Wiener Symphoniker, Bernhard Klee, Wiener Singverein, Helmut Froschauer | C Major | 3 | 8B | 106 BPM | ||
Haydn: The Seven Last Words of Christ, Hob. XX:1: Sonata IV. "Deus meus, ut quid dereliquisti me?" | Joseph Haydn, Sir Neville Marriner, Academy of St. Martin in the Fields | G Minor | 3 | 6A | 115 BPM | ||
Elena, Act II Scene 5: E un vil pastor de miei voler vantarsi delusore potrà? | Johann Simon Mayr, Niklas Mallmann, Markus Schäfer, Fang Zhi, Concerto de Bassus, Franz Hauk | D Major | 4 | 10B | 137 BPM | ||
Julius Caesar, HWV 17, Act I Scene 4: How silently, how slyly (Caesar) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Dame Janet Baker | G Minor | 0 | 6A | 170 BPM | ||
Petite messe solennelle: O salutaris Hostia | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Julia Lezhneva | G Major | 1 | 9B | 91 BPM | ||
L'italiana in Algeri: Atto I. Duetto. Se inclinassi a prender moglie | Gioachino Rossini, Alasdair Kent, Ricardo Seguel, Orchestra Of The 18th Century, Giancarlo Andretta | D Major | 2 | 10B | 148 BPM | ||
「3つのシェイクスピアの歌」Op.6 第1曲 来たれ 死よ | ロジャー・クィルター, 上村誠一, 松下倫士 | C Minor | 0 | 5A | 69 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act I No. 1: Introduzione: Piano, pianissimo | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | G Major | 0 | 9B | 104 BPM | ||
Requiem in C Minor: VI. Sanctus et Benedictus | Luigi Cherubini, Kammerchor Stuttgart, Hofkapelle Stuttgart, Frieder Bernius | A♭ Major | 2 | 4B | 89 BPM |
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