Ensemble Convivencia made "Manuscrit de Bajeux: Bevons, ma comere" available on August 21, 1998. With Manuscrit de Bajeux: Bevons, ma comere being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ensemble Convivencia's "Manuscrit de Bayeux" album is number 19 out of 21. On top of that, France appears to be the country where this track was created. In terms of popularity, Manuscrit de Bajeux: Bevons, ma comere is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Manuscrit de Bajeux: Bevons, ma comere by Ensemble Convivencia to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Laus Trinitati | Hildegard von Bingen, La Reverdie | G Major | 0 | 9B | 108 BPM | ||
Reis glorios | Giraut de Bornelh, Ensemble Celadon, Paulin Bundgen, Clara Coutouly | B♭ Minor | 0 | 3A | 112 BPM | ||
De cueur pensieu | Adam de la Halle, Praetorius Consort, Christopher Ball, Grayston Burgess, Purcell Consort Of Voices | C Major | 3 | 8B | 99 BPM | ||
Estampie Janus | Richard I of England, Millenarium | F♯ Major | 1 | 2B | 201 BPM | ||
Maienzit | Neidhart von Reuental, Ensemble Renaissance | G Minor | 0 | 6A | 102 BPM | ||
Dance of the Akritai | Farya Faraji | B♭ Major | 5 | 6B | 158 BPM | ||
Branle Double | Musica calamus | G Major | 4 | 9B | 105 BPM | ||
Cathedral Cave | Ronn McFarlane | G Minor | 1 | 6A | 118 BPM | ||
Shylock Broken [The Merchant of Venice] | David Juritz | F Minor | 1 | 4A | 65 BPM | ||
Saltarello 3 | Vox Vulgaris | F Major | 5 | 7B | 176 BPM |
Section: 0.6457352638244629
End: 0.6494197845458984