George Frideric Handel, Walter Berry, Hans Bruno Ernst, Lucia Popp, Munich Philharmonic Orchestra, Ferdinand Leitner made "Giulio Cesare in Egitto, HWV 17 (Sung in German), Act I: Act I Scene 7: Accompagnato: Seele des großen Pompejus - Recitative: Voll Ehrerbietung sucht (Caesar, Curio, Cleopatra)" available on January 1, 2016. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, Lucia Popp, Walter Berry, Fritz Wunderlich, Munich Philharmonic Orchestra, Ferdinand Leitner's "Handel: Giulio Cesare in Egitto, HWV 17 (Sung in German)" album is number 16 out of 81. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Giulio Cesare in Egitto, HWV 17 (Sung in German), Act I: Act I Scene 7: Accompagnato: Seele des großen Pompejus - Recitative: Voll Ehrerbietung sucht (Caesar, Curio, Cleopatra) is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Giulio Cesare in Egitto, HWV 17 (Sung in German), Act I: Act I Scene 7: Accompagnato: Seele des großen Pompejus - Recitative: Voll Ehrerbietung sucht (Caesar, Curio, Cleopatra) by George Frideric Handel, Walter Berry, Hans Bruno Ernst, Lucia Popp, Munich Philharmonic Orchestra, Ferdinand Leitner to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Aci, Galatea e Polifemo, HWV 72: Sibilar l'angui d'Aletto | George Frideric Handel, Aaron Hill, Luigi De Donato, Collegium 1704, Vaclav Luks | D♭ Major | 3 | 3B | 93 BPM | ||
Solomon, HWV 67: Sinfonia "Arrival of the Queen of Sheba" | George Frideric Handel, Raymond Leppard, English Chamber Orchestra | B♭ Major | 3 | 6B | 119 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Pergolesi: Stabat Mater: III. O quam tristis et afflicta | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 111 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM |
Section: 0.576683521270752
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