"Variations in A Major on a Theme from Gaëtano Donizetti’s Opera Anna Bolena: Vivace" by Mikhail Glinka, Vladimir Stoupel was released on August 18, 2017. With Variations in A Major on a Theme from Gaëtano Donizetti’s Opera Anna Bolena: Vivace being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Vladimir Stoupel's "Mikhail Glinka: Variations for Piano" album is number 15 out of 48. On top of that, Germany appears to be the country where this track was created. Variations in A Major on a Theme from Gaëtano Donizetti’s Opera Anna Bolena: Vivace is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Variations in A Major on a Theme from Gaëtano Donizetti’s Opera Anna Bolena: Vivace by Mikhail Glinka, Vladimir Stoupel to be Larghissimo because the track has a tempo of 0 BPM, a half-time of 0BPM, and a double-time of 0 BPM. Based on that, the speed of the song's tempo is slow.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ruslan and Lyudmila, Act II: No. 10, Finale. Tale of the Head "Nas bylo dvoe" | Mikhail Glinka, Yevgeny Nesterenko, хор Большого театра, Юрий Симонов, Оркестр Большого театра | B♭ Major | 4 | 6B | 115 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Chopin: Piano Sonata No. 1 in C Minor, Op. 4: I. Allegro maestoso | Frédéric Chopin, Leif Ove Andsnes | C Minor | 1 | 5A | 76 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Carnaval, Op. 9: No. 12. Chopin | Robert Schumann, Boris Giltburg | C Major | 1 | 8B | 77 BPM | ||
Mendelssohn-Hensel: 6 Mélodies, Opp. 4 & 5: No. 4 in B Major | Fanny Mendelssohn, Sophie Pacini | D♭ Minor | 0 | 12A | 68 BPM | ||
3 Etudes Opus 104b: No. 3 in A minor | Felix Mendelssohn, Bertrand Chamayou | A Minor | 3 | 8A | 92 BPM | ||
Nocturne in F Minor "La séparation" | Mikhail Glinka, Alexei Lubimov | F Minor | 0 | 4A | 100 BPM | ||
Polonaise in E Major | Mikhail Glinka, Inga Fiolia | E Major | 0 | 12B | 134 BPM |
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