Mikhail Glinka, Yevgeny Nesterenko, хор Большого театра, Юрий Симонов, Оркестр Большого театра made "Ruslan and Lyudmila, Act II: No. 10, Finale. Tale of the Head "Nas bylo dvoe"" available on May 28, 2015. The duration of Ruslan and Lyudmila, Act II: No. 10, Finale. Tale of the Head "Nas bylo dvoe" is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Ruslan and Lyudmila, Act II: No. 10, Finale. Tale of the Head "Nas bylo dvoe"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mikhail Glinka, Yevgeny Nesterenko, Бэла Руденко, Tamara Sinyavskaya's "Glinka: Ruslan and Lyudmila" album is number 3 out of 43. In terms of popularity, Ruslan and Lyudmila, Act II: No. 10, Finale. Tale of the Head "Nas bylo dvoe" is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Ruslan and Lyudmila, Act II: No. 10, Finale. Tale of the Head "Nas bylo dvoe" by Mikhail Glinka, Yevgeny Nesterenko, хор Большого театра, Юрий Симонов, Оркестр Большого театра to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces, Op. 43: No. 6 To Spring | Lang Lang | F♯ Major | 1 | 2B | 130 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 2 | Carl Maria von Weber, Michael Endres | C Major | 1 | 8B | 95 BPM | ||
5 Contredanses | Mikhail Glinka, Inga Fiolia | C Major | 1 | 8B | 140 BPM | ||
Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM | ||
Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | ||
III. March. Song of the Lark | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | G Minor | 0 | 6A | 135 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Glinka/Balakirev: The Lark (L'Alouette) | Glinka/Balakirev, Philip Fowke | B♭ Minor | 0 | 3A | 77 BPM | ||
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM |
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