Requiem in D minor, K.626: 3. Sequentia: Lacrimosa - Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner Information

Acousticness: 98%
Danceability: 15%
Energy: 3%
Instrumentalness: 83%
Liveness: 10%
Loudness: 62%
Speechiness: 4%
Valence: 4%
Popularity: 1%
Loudness: -22.621 dB

Summary

"Requiem in D minor, K.626: 3. Sequentia: Lacrimosa" by Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner was released on April 2, 2021. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 57 in Easter Classical by Johann Sebastian Bach, Wolfgang Amadeus Mozart, George Frideric Handel. Based on our statistics, Requiem in D minor, K.626: 3. Sequentia: Lacrimosa's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Requiem in D minor, K.626: 3. Sequentia: Lacrimosa BPM

The tempo marking of Requiem in D minor, K.626: 3. Sequentia: Lacrimosa by Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Requiem in D minor, K.626: 3. Sequentia: Lacrimosa Key

The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Requiem In D Minor, K. 626: Kyrie Eleison	Slovak Philharmonic, Jozef Kundlák, Slovak Philharmonic Chorus, Jaroslava Horska, Vladimir Ruso, Stefan Klimo, Peter Mikulas, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart	F Major	2	7B	82 BPM
Piano Trio No. 39: Piano Trio No. 39: I. Andante	Franz Joseph Haydn, Trio Wanderer	G Major	1	9B	140 BPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio	Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster	E♭ Major	0	5B	100 BPM
Carnaval, Op. 9: XII. Chopin	Robert Schumann, Daniil Trifonov	E Major	0	12B	68 BPM
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio	Johann Sebastian Bach, Hilary Hahn	A Major	3	11B	126 BPM
Rachmaninov: 10 Preludes, Op. 23: No. 4 in D Major	Sergei Rachmaninoff, Nikolai Lugansky	D Major	0	10B	78 BPM
Grandes Etudes de Paganini, S.141: No.6 In A Minor	Franz Liszt, Daniil Trifonov	A Minor	2	8A	119 BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits	Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra	D Minor	1	7A	67 BPM
Mozart: Requiem in D Minor, K. 626: IX. Domine Jesu Christe	Wolfgang Amadeus Mozart, Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Nikolaus Harnoncourt & Concentus musicus Wien, Vienna State Opera Chorus, Kurt Equiluz, Ortrun Wenkel, Rachel Yakar, Robert Holl, Nikolaus Harnoncourt, Concentus Musicus Wien	B Major	1	1B	86 BPM
Overture in D Minor, TWV 55:2: Menuet II. Doucement	Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire	F Major	0	7B	126 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7823929786682129

End: 0.7916061878204346