"Tito Manlio, RV 738, Act I, Scene 9: Recitativo" by Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone was released on November 2, 2005. With Tito Manlio, RV 738, Act I, Scene 9: Recitativo being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: Tito Manlio by Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone. The song's track number on the album is #23 out of 94 tracks. Based on our data, France was the country where this track was produced or recorded. In terms of popularity, Tito Manlio, RV 738, Act I, Scene 9: Recitativo is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Tito Manlio, RV 738, Act I, Scene 9: Recitativo by Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Tito Manlio, RV 738, Act I, Scene 9: Recitativo being at 112 BPM, the half-time would be 56 BPM with a double-time of 224 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paganini: 24 Caprices, Op. 1: No. 24 in A Minor | Niccolò Paganini, Itzhak Perlman | A Minor | 1 | 8A | 111 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Solomon, HWV 67: The Arrival Of The Queen Of Sheba | Georg Friedrich Händek, Robert Haydon Clark, Consort of London | B♭ Major | 3 | 6B | 120 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
12 Concertos, Op. 3 "L'estro armonico" / Concerto No. 11 in D Minor for 2 Violins and Cello, RV 565: III. Allegro | Antonio Vivaldi, Wolfgang Schneiderhan, Rudolf Baumgartner, Marcal Cervera, Lucerne Festival Strings | D Minor | 3 | 7A | 127 BPM | ||
Mandolin Concerto in C Major, RV 425: I. Allegro | Antonio Vivaldi, Enrico Parizzi, Ludovico Minasi, Riccardo-Masahide Minasi, Thomas Boysen, Thor-Harald Johnsen, Valerio Losito, Rolf Lislevand | B Major | 3 | 1B | 102 BPM | ||
Concerto Grosso No. 8 in G Minor, Op. 6, "Christmas Concerto": Allegro | Arcangelo Corelli, David Parry, London Philharmonic Orchestra | G Minor | 2 | 6A | 73 BPM | ||
Gloria in D, R.589: Allegro: Quoniam tu solus sanctus | Antonio Vivaldi, The English Concert, Trevor Pinnock, Paul Goodwin, Mark Bennett, The English Concert Choir | D♭ Major | 2 | 3B | 130 BPM | ||
The Four Seasons (Concerti Op.8 Nos.1-4) Spring (La Primavera) Op.8 No.1 E Major: Allegro | Baroque Festival Orchestra, Alberto Lizzio | E Major | 0 | 12B | 98 BPM |
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