"Messe Solennelle, Op. 16: I. Kyrie" by Daniel Roth, Chœur d'Oratorio de Paris, Eric Lebrun, Jean Sourisse was released on February 1, 2009. With this song being about 5 minutes long, at 5:29, "Messe Solennelle, Op. 16: I. Kyrie" by Daniel Roth, Chœur d'Oratorio de Paris, Eric Lebrun, Jean Sourisse is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "Louis Vierne: Messe Solennelle, Opus 16 - A Recreation of a Traditional Latin Mass at Saint-Sulpice Sunday of the Resurrection" album is number 7 out of 38. Messe Solennelle, Op. 16: I. Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messe Solennelle, Op. 16: I. Kyrie by Daniel Roth, Chœur d'Oratorio de Paris, Eric Lebrun, Jean Sourisse to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa si Deus pro nobis, a 16 voci: V. Gloria | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | C Major | 2 | 8B | 69 BPM | ||
Six chansons: I. La biche | Paul Hindemith, Ensemble vocal Aedes, Mathieu Romano | E Major | 1 | 12B | 120 BPM | ||
Six Organ Sonatas Op. 65: Sonata 5: I. Andante | Felix Mendelssohn, Anders Eidsten Dahl | C Major | 1 | 8B | 74 BPM | ||
Trois chansons, M. 69: No. 1, Nicolette - Arr. for Viola and Organ | Maurice Ravel, Daniel Roth, Vincent Roth | E Minor | 0 | 9A | 72 BPM | ||
Organ Symphony No. 10 in D Major, Op. 73 "Romane": III. Cantilène (Lento) | Daniel Roth | B Minor | 0 | 10A | 66 BPM | ||
Passion Week, Op. 58: II. I See Thy Bridal Chamber | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Minor | 1 | 1A | 70 BPM | ||
Today the Virgin (Znamenny Chant), Op. 7b | Alexander Dmitriyevich Kastalsky, Conspirare, Craig Hella Johnson | B♭ Major | 2 | 6B | 134 BPM | ||
Livre d'orgue contenant cent pièces de tous les tons de l'église suite du troisieme ton: VI. Duo | Guillaume-Gabriel Nivers, Daniel Roth | F Major | 4 | 7B | 78 BPM | ||
30 Little Chorale Preludes, Op. 135a: VII. Es ist das Heil uns kommen her | Max Reger, Ludger Lohmann | G Major | 1 | 9B | 129 BPM | ||
Liturgy of St. John Chrysostom for Chorus, Op. 31: XIII. Hymn to the Virgin: "It is Right for All Men and All Things..." | Sergei Rachmaninoff, Valery Polyansky, State Symphony Capella of Russia | A♭ Major | 0 | 4B | 77 BPM |
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