Paul Peuerl, Posaunenquintett Berlin's 'Weltspiegel, 1613: Cànzon à 5' came out on January 1, 2008. The duration of Weltspiegel, 1613: Cànzon à 5 is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Weltspiegel, 1613: Cànzon à 5's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Tochter Zion - festliche Posaunenmusik". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. In terms of popularity, Weltspiegel, 1613: Cànzon à 5 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Weltspiegel, 1613: Cànzon à 5 by Paul Peuerl, Posaunenquintett Berlin having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Short Preludes on Gregorian Themes, Op. 45: III. Pange lingua | Marcel Dupré, Stefan Engels | D Major | 1 | 10B | 129 BPM | ||
Missa ex B: XXV. Hosanna in excelsis - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | B♭ Major | 3 | 6B | 111 BPM | ||
Intemerata Dei mater: III. Aspiciat facito | Johannes Ockeghem, Owain Park, The Gesualdo Six | F Major | 2 | 7B | 124 BPM | ||
Messa a quattro voci, SV 190: II. Gloria | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Vespro della Beata Vergine, SV 206: XI. Sonata sopra Sancta Maria | Claudio Monteverdi, Philippe Herreweghe, Magdalena Podkościelna, Dominique Verkinderen, Joowon Chung, Chiyuki Okamura, Collegium Vocale Gent | D♭ Major | 1 | 3B | 85 BPM | ||
Gather Ye Rosebuds | William Lawes, Sylvain Bergeron, Suzie LeBlanc, Les Voix Humaines | A♭ Minor | 1 | 1A | 141 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 6, La noble fierté | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Armide, LWV 71, Act II Scene 4: Ah ! Quelle erreur ! | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Major | 1 | 7B | 139 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Trist'Amarilli mia | Philippe Verdelot, Profeti Della Quinta | F♯ Minor | 1 | 11A | 83 BPM |
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