"Mascagni: Quando fanciullo ancora [Ratcliff, Lesley]" by Pietro Mascagni, Francesco Cilluffo, Wexford Festival Opera Chorus & Orchestra was released on October 28, 2016. Mascagni: Quando fanciullo ancora [Ratcliff, Lesley] appears to be safe for all ages as it is not explicit. The track order of this song in Pietro Mascagni, Francesco Cilluffo, Wexford Festival Opera Chorus & Orchestra's "Guglielmo Ratcliff" album is number 9 out of 21. Mascagni: Quando fanciullo ancora [Ratcliff, Lesley] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mascagni: Quando fanciullo ancora [Ratcliff, Lesley] by Pietro Mascagni, Francesco Cilluffo, Wexford Festival Opera Chorus & Orchestra to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Mozart: Concerto For Clarinet And Orchestra In A (K. 622) | Jack Brymer, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 0 | 10B | 84 BPM | ||
Herz und Mund und Tat und Leben, Cantata BWV 147: Jesu, Joy of Man's Desiring (Arr. for Piano by Myra Hess) | Johann Sebastian Bach, Rafał Blechacz | G Major | 0 | 9B | 173 BPM | ||
Le carnaval des animaux, R. 125: 13. Le Cygne (Ed. Rose) | Camille Saint-Saëns, Lynn Harrell, Bruno Canino | A Minor | 0 | 8A | 77 BPM | ||
Rosa Mundi | Paul Lewis, Royal Ballet Sinfonia, Gavin Sutherland | C Minor | 1 | 5A | 141 BPM | ||
Nocturne No. 2 in C Minor, H.25 | John Field, Elizabeth Joy Roe | C Minor | 1 | 5A | 80 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
Spartacus - Ballet Suite: Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra, Stanley Black | A♭ Major | 1 | 4B | 85 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | B♭ Major | 1 | 6B | 72 BPM |
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