"Mozart: Concerto For Clarinet And Orchestra In A (K. 622)" by Jack Brymer, Academy of St. Martin in the Fields, Sir Neville Marriner was released on January 1, 1985. The duration of Mozart: Concerto For Clarinet And Orchestra In A (K. 622) is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Mozart: Concerto For Clarinet And Orchestra In A (K. 622)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Out Of Africa (Music From The Motion Picture Soundtrack)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Mozart: Concerto For Clarinet And Orchestra In A (K. 622) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mozart: Concerto For Clarinet And Orchestra In A (K. 622) by Jack Brymer, Academy of St. Martin in the Fields, Sir Neville Marriner having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vaughan Williams & Greaves: Fantasia on Greensleeves | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | C Minor | 0 | 5A | 74 BPM | ||
Má Vlast, JB 1:112: The Moldau (Vltava) [Excerpt] | Bedřich Smetana, Leopold Stokowski, RCA Victor Symphony Orchestra | C Major | 2 | 8B | 74 BPM | ||
I'm Better At Hello (Karen's Theme I) - Out Of Africa/Soundtrack Version | John Barry | D Minor | 1 | 7A | 77 BPM | ||
If I Know A Song Of Africa (Karen's Theme III) - Out Of Africa/Soundtrack Version | John Barry | D Minor | 0 | 7A | 81 BPM | ||
Suite Lyrique: 1. Prelude | John Rutter, Catrin Finch, Sinfonia Cymru | A Minor | 1 | 8A | 108 BPM | ||
The Pearl Fishers, WD 13: Je crois entendre encore (Arr. for Violin & Orchestra) | Georges Bizet, Joshua Bell, Michael Stern, Orchestra of St. Luke's | A Minor | 1 | 8A | 72 BPM | ||
Songs My Mother Taught Me, Op. 55, No. 4 (Arr. for Violin and Orchestra) | Antonín Dvořák, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | D Major | 2 | 10B | 102 BPM | ||
Fantasia on Greensleeves | Ralph Vaughan Williams, Ralph Greaves, New Zealand Symphony Orchestra, James Judd | C Minor | 0 | 5A | 78 BPM | ||
Rusalka, Op. 114: Song to the Moon | Antonín Dvořák, Joshua Bell, Michael Stern | F♯ Major | 1 | 2B | 137 BPM | ||
Buon giorno principessa | Nicola Piovani | A Major | 1 | 11B | 86 BPM |
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