Rolando Villazón, Ophélie Gaillard's 'El Cigarrito' came out on 2015. The duration of El Cigarrito is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. El Cigarrito's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Te Recuerdo". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. El Cigarrito is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With El Cigarrito by Rolando Villazón, Ophélie Gaillard having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tercera sinfonía en fa mayor - 3º movimiento-Poco allegretto | Ludwig van Beethoven, Waldo De Los Ríos | C Minor | 4 | 5A | 77 BPM | ||
Bachianas brasileiras No. 5: Ária (Cantilena) | Heitor Villa-Lobos, Anna Moffo, Leopold Stokowski, American Symphony Orchestra | A Minor | 2 | 8A | 119 BPM | ||
Suite No. 1 in G Major, BWV 1007: II. Allemande | Johann Sebastian Bach, Ophélie Gaillard | F♯ Major | 1 | 2B | 133 BPM | ||
La Viuda Alegre | Orquesta Filarmonica de Rumania | F♯ Major | 4 | 2B | 50 BPM | ||
Una furtiva lagrima | Gaetano Donizetti, Enrico Caruso, Gottfried Rabl | F Minor | 1 | 4A | 66 BPM | ||
Hijo De La Luna | Jose Maria Cano Andres, Sumi Jo, Prague Philharmonia, Ondrej Lenard | E Minor | 4 | 9A | 174 BPM | ||
Bellini: Norma, Act 1 Scene 4: No. 4b, Aria, "Casta diva … Ah! bello a me ritorna" (Norma) | Vincenzo Bellini, Angela Gheorghiu, Orchestra of the Royal Opera House, Covent Garden, Ion Marin, Sarah Brooke | F Major | 0 | 7B | 89 BPM | ||
Doña Francisquita: Coro de Románticos | Amadeo Vives, Maria Bayo, Orquesta Sinfonica De Tenerife, Antonio Ros Marbà, Coro Polifonico De La Universidad De La Laguna | E♭ Major | 1 | 5B | 101 BPM | ||
Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM | ||
Ave Maria (Ellen's Gesang) D.839 | Barbara Hendricks, Stockholm Chamber Orchestra, Erik Lundkvist, Eric Ericson | B♭ Major | 0 | 6B | 102 BPM |
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