"Canciones negras: Cuba dentro de un piano" by Xavier Montsalvatge, Teresa Berganza, Felix Lavilla was released on January 1, 2005. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 26 out of 105 in Brava Berganza by Teresa Berganza. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Canciones negras: Cuba dentro de un piano's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Canciones negras: Cuba dentro de un piano by Xavier Montsalvatge, Teresa Berganza, Felix Lavilla is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Preludes: No. 4. Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 0 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Simfonia de Requiem: IV. Agnus Dei. Adagietto | Xavier Montsalvatge, Juanjo Mena, BBC Philharmonic Orchestra | A Major | 0 | 11B | 70 BPM | ||
Myrthen, Op. 25: 24. Du bist wie eine Blume | Robert Schumann, Harriet Krijgh, Magda Amara | A♭ Major | 0 | 4B | 65 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Cuba dentro de un piano | Xavier Montsalvatge, Kim Kashkashian, Robert Levin | A♭ Major | 1 | 4B | 67 BPM | ||
Sextet, FP 100: Allegro vivace | Francis Poulenc, Philippe Bernold, Olivier Doise, Hervé Joulain, Ronald Van Spaendonck, Alexandre Tharaud, Laurent Lefèvre | A Minor | 1 | 8A | 140 BPM | ||
Concerto Breve: 3. Vivo | Xavier Montsalvatge, Alicia de Larrocha, Royal Philharmonic Orchestra, Rafael Frühbeck de Burgos | A Minor | 3 | 8A | 155 BPM | ||
Cinco canciones negras: V. Canto negro - Version for Voice and Orchestra | Xavier Montsalvatge, Juanjo Mena, BBC Philharmonic Orchestra, Clara Mouriz | A Major | 0 | 11B | 70 BPM |
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