"Kyrye Eleison; Pater noster" by Sixtine Chapel Choir, Juan Paradell Solè, Students of the Pontifical Institute of Sacred Music was released on April 7, 2016. With Kyrye Eleison; Pater noster being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Sixtine Chapel Choir's "In Patrum Cardinalium Collegium, Vol. 1; Ordinary Public Consistory for the creation of new Cardinals" album is number 6 out of 8. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Kyrye Eleison; Pater noster is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kyrye Eleison; Pater noster by Sixtine Chapel Choir, Juan Paradell Solè, Students of the Pontifical Institute of Sacred Music to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Johannes-Passion, BWV 245.1: 37. Choral: O hilf, Christe, Gottes Sohn | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin | D Major | 2 | 10B | 172 BPM | ||
Come Unto Me | Larry Nickel, Sharon Singers | E Minor | 2 | 9A | 65 BPM | ||
Lille Almanak – Little Almanac 3 | Finn Mathiassen, Harald Herdal, Jens Peter Jacobsen, Musikstuderendes Kammerkor | G Minor | 0 | 6A | 75 BPM | ||
Der er etyndigt land (There is a Lovely Country) | Carl Nielsen, Danish National Vocal Ensemble, Michael Schønwandt | F Major | 1 | 7B | 98 BPM | ||
27 2- and 3- Part Choruses, BB 111, Vol. 3: No. 1. Ne menj el (Don't Leave Me) | Béla Bartók, Schola Hungarica, László Dobszay | B♭ Minor | 0 | 3A | 76 BPM | ||
Find in Me Your Rest | Brent Wells, BYU Concert Choir | D Major | 1 | 10B | 129 BPM | ||
Psalm 7 "O Lord My God, in Thee Have I Put My Trust" | Joseph Barnby, George Mursell Garrett, Hereford Cathedral Choir, Geraint Bowen, Roy Massey | A Minor | 0 | 8A | 76 BPM | ||
Psalm 3 "Domine, quid multiplicati?" | Edward John Hopkins, St. Paul's Cathedral Choir, John Scott, Andrew Lucas | D♭ Major | 1 | 3B | 88 BPM | ||
Preces and Responses | Joanna Forbes L'Estrange, London Voices, Grace Davidson, Ben Parry | D Major | 1 | 10B | 80 BPM | ||
2 Motets, Op. 65: I. Ave verum | Gabriel Fauré, Corydon Singers, Matthew Best, John Scott | F Major | 0 | 7B | 77 BPM |
Section: 0.4643392562866211
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