"Psalm 3 "Domine, quid multiplicati?"" by Edward John Hopkins, St. Paul's Cathedral Choir, John Scott, Andrew Lucas was released on September 1, 2002. The duration of Psalm 3 "Domine, quid multiplicati?" is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Psalm 3 "Domine, quid multiplicati?"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 174 in the song's album "The Psalms of David". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Psalm 3 "Domine, quid multiplicati?" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 3 "Domine, quid multiplicati?" by Edward John Hopkins, St. Paul's Cathedral Choir, John Scott, Andrew Lucas having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Motets sur des thèmes grégoriens, Op. 10: No. 4, Tantum Ergo | Maurice Duruflé, Westminster Williamson Voices, James Jordan | C Minor | 1 | 5A | 114 BPM | ||
Siionin laulu 211 b On Jeesus turva, rauha | Suviseuralaulu, Helena Säily, Vesa Linnanmäki | E♭ Major | 1 | 5B | 134 BPM | ||
Missa Ecce quam bonum: Osanna II | Jacob Clemens non Papa, The Brabant Ensemble, Stephen Rice | B♭ Minor | 1 | 3A | 95 BPM | ||
Where Two or Three | Bayiga Bayiga, Tapestry Chamber Singers | C Major | 1 | 8B | 83 BPM | ||
Jumalan runsas armo (Siionin laulu 89) | Seuralaulu, Juliaana Kellokoski | C Minor | 2 | 5A | 70 BPM | ||
アンティグア・バーブーダ 麗しきアンティグア、我ら汝に敬礼せん | Walter Garnet Picart Chambers, Kazuki Yamada, 東京混声合唱団, 斎木ユリ | B♭ Major | 4 | 6B | 78 BPM | ||
The Crucifixion: Processional to Calvary (Tenor, Chorus) | John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown | C Major | 1 | 8B | 79 BPM | ||
Come Holy Ghost | Thomas Attwood, Choir of Clare College, Cambridge, Timothy Brown | F Major | 0 | 7B | 132 BPM | ||
Lay a Garland | Robert Lucas Pearsall, The Choir of Magdalen College, Oxford, Mark Williams | E♭ Major | 2 | 5B | 80 BPM | ||
The race that long in darkness pined | St Edmundsbury Cathedral Choir, Scott Farrell | E♭ Major | 0 | 5B | 83 BPM |
Section: 0.9718437194824219
End: 1.357370138168335