"Ballet Scene in the Form of a Concert Waltz. Op. 33A, No.4 in D Major - Welte-Mignon 537" by Ferruccio Busoni, Peter Phillips, Michael von Zadora was released on February 3, 2024. With this song being about 5 minutes long, at 4:41, "Ballet Scene in the Form of a Concert Waltz. Op. 33A, No.4 in D Major - Welte-Mignon 537" by Ferruccio Busoni, Peter Phillips, Michael von Zadora is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in Éclats. Piano Music from the Golden Age, so we believe that "Ballet Scene in the Form of a Concert Waltz. Op. 33A, No.4 in D Major - Welte-Mignon 537" is a single. Ballet Scene in the Form of a Concert Waltz. Op. 33A, No.4 in D Major - Welte-Mignon 537 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ballet Scene in the Form of a Concert Waltz. Op. 33A, No.4 in D Major - Welte-Mignon 537 by Ferruccio Busoni, Peter Phillips, Michael von Zadora is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Música callada, Book 1: No. 3, Placide | Federico Mompou, Lilit Grigoryan | B♭ Major | 1 | 6B | 70 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: No. 2 in A Minor, Op. 19, No. 2 | Felix Mendelssohn, Péter Nagy | A Major | 0 | 11B | 85 BPM | ||
24 Preludes, Op. 37, BV 181: No. 8 in F-Sharp Minor | Ferruccio Busoni, Holger Groschopp | B Minor | 0 | 10A | 128 BPM | ||
6 Moments musicaux, Op. 16: No. 5, Adagio sostenuto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
Lieder ohne Worte, Op.19: No. 2 In A Minor (Andante espressivo), MWV U 80 | Felix Mendelssohn, Daniel Barenboim | A Minor | 0 | 8A | 131 BPM | ||
Nocturne No.11 In G Minor, Op.37 No.1 | Frédéric Chopin, Maurizio Pollini | B♭ Major | 0 | 6B | 75 BPM | ||
Sonatina No. 1, Op. 67: II. Largo | Jean Sibelius, Leif Ove Andsnes | F♯ Minor | 0 | 11A | 112 BPM | ||
Rinaldo, HWV 7, Act II: Lascia ch'io pianga (arr. M. Moszkowsky for piano) | George Frideric Handel, Moritz Moszkowski, Roberto Cominati | D Major | 0 | 10B | 70 BPM |
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