"The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 14(18): Fuga a 3 Soggetti" by Johann Sebastian Bach, Emerson String Quartet was released on January 1, 2003. Since The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 14(18): Fuga a 3 Soggetti is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 21 out of 22 in Bach, J.S.: The Art of Fugue - Emerson String Quartet by Johann Sebastian Bach, Emerson String Quartet. In terms of popularity, The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 14(18): Fuga a 3 Soggetti is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 14(18): Fuga a 3 Soggetti by Johann Sebastian Bach, Emerson String Quartet is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 10 in E-Flat Major, K. 365 / 316a: III. Rondo. Allegro | Wolfgang Amadeus Mozart, Murray Perahia, Radu Lupu, English Chamber Orchestra | E♭ Major | 2 | 5B | 91 BPM | ||
Musical Offering, BWV 1079: Canon 1. a 2: Canon cancrizans | Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana | C Minor | 2 | 5A | 92 BPM | ||
Brandenburg Concerto No. 1 in F BWV1046: III. Allegro | Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 92 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Suite No. 5 in E Major, HWV 430: I. Prelude | George Frideric Handel, Murray Perahia | E Major | 1 | 12B | 127 BPM | ||
Concerto for Cello and String Orchestra in G Major, G. 480: III. Allegro | Luigi Boccherini, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | F♯ Major | 1 | 2B | 97 BPM | ||
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: II. Adagio (Cadenza by Rostropovich) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | A Major | 1 | 11B | 90 BPM | ||
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: X. [Allegro moderato] | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Minor | 1 | 12A | 77 BPM | ||
Clarinet Quintet in A Major, K. 581: IV. Allegretto con variazioni | Wolfgang Amadeus Mozart, David Shifrin, Emerson String Quartet | A♭ Major | 0 | 4B | 72 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM |
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