"Battle of Britain Suite: I. Spitfire Music - Battle in the Air" by William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields was released on August 1, 1990. Battle of Britain Suite: I. Spitfire Music - Battle in the Air is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. This song is part of Walton: Film Music, Vol. 2 by William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields. The song's track number on the album is #17 out of 18 tracks. Battle of Britain Suite: I. Spitfire Music - Battle in the Air is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Battle of Britain Suite: I. Spitfire Music - Battle in the Air by William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Battle of Britain Suite: I. Spitfire Music - Battle in the Air being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: Minuet, Op. 21 | Edward Elgar, Northern Sinfonia Orchestra, Sir Neville Marriner | F Major | 0 | 7B | 81 BPM | ||
Metropolis: I. Auftakt: Maschinenhalle - Moloch | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | C Minor | 4 | 5A | 75 BPM | ||
Requiem, K. 626. Confutatis | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields, Academy of St Martin in the Fields Chorus, Laszlo Heltay | D Minor | 0 | 7A | 74 BPM | ||
The Barn - Love Theme | Lucie Svehlová | D Minor | 3 | 7A | 65 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
Vanity Fair | Anthony Collins, Vernon Handley, BBC Concert Orchestra, Martin Loveday | F Major | 0 | 7B | 120 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM | ||
2001: A Space Odyssey (Main Theme) | The Intermezzo Orchestra | C Major | 1 | 8B | 76 BPM | ||
Bach, JS: Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 7, Aria. "Sich üben im Lieben, in Scherzen sich herzen" | Johann Sebastian Bach, Sir Neville Marriner, Elly Ameling, Academy of St. Martin in the Fields | D Major | 3 | 10B | 99 BPM |
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