Gottfried Heinrich Stölzel, Lang Lang's 'Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Arr. Anna Saradjian)' came out on November 20, 2020. The duration of Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Arr. Anna Saradjian) is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Arr. Anna Saradjian)'s duration is considered a little bit shorter than the average duration of a typical track. Since Stölzel: Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Arr. Anna Saradjian) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Germany. Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Arr. Anna Saradjian) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Arr. Anna Saradjian) by Gottfried Heinrich Stölzel, Lang Lang having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rêverie au bord de la mer, WoO | Jacques Offenbach, Raphaela Gromes, Julian Riem | G Major | 1 | 9B | 73 BPM | ||
Miscellanea, Op. 16: No. 4, Nocturne in B-Flat Major | Ignacy Jan Paderewski, Jenny Lin | B♭ Major | 0 | 6B | 61 BPM | ||
Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | B♭ Major | 1 | 6B | 97 BPM | ||
Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | ||
Tune from the Film by Lana Gogoberidze: When Almonds Blossomed | Giya Kancheli, Khatia Buniatishvili | D Minor | 0 | 7A | 65 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
5 Lieder, Op. 49: No. 4. Wiegenlied (arr. P. Nagy): Cradle Song (trans. P. Nagy) | Péter Nagy, Johannes Brahms | E♭ Major | 0 | 5B | 134 BPM | ||
Scarborough Fair (Arr. Parkin for Cello and Guitar) | Traditional, Sheku Kanneh-Mason, Plínio Fernandes | D Major | 0 | 10B | 117 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM |
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