"Tune from the Film by Lana Gogoberidze: When Almonds Blossomed" by Giya Kancheli, Khatia Buniatishvili was released on May 19, 2014. The duration of Tune from the Film by Lana Gogoberidze: When Almonds Blossomed is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Tune from the Film by Lana Gogoberidze: When Almonds Blossomed's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Khatia Buniatishvili's "Motherland" album is number 5 out of 17. Tune from the Film by Lana Gogoberidze: When Almonds Blossomed is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tune from the Film by Lana Gogoberidze: When Almonds Blossomed by Giya Kancheli, Khatia Buniatishvili to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne Op. 27, No. 2 | Frédéric Chopin, Khatia Buniatishvili | F Major | 3 | 7B | 80 BPM | ||
Piano Trio in A Minor, Op. 50, TH.117: Variazione VI: Tempo di valse | Pyotr Ilyich Tchaikovsky, Gidon Kremer, Giedre Dirvanauskaite, Khatia Buniatishvili | A Major | 2 | 11B | 87 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Minuet in E Major, D. 335 | Franz Schubert, Arcadi Volodos | E Major | 0 | 12B | 61 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Miniature No. 3 | Giya Kancheli, Andrea Cortesi, Marco Venturi | D Major | 0 | 10B | 75 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Bagatelles et impromptus: VII. Love | Bedřich Smetana, William Howard | A Major | 0 | 11B | 71 BPM |
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