Eric Schmidt, Jonathan Rosenberg made "Kapitel 6.3 - Wie Google tickt - How Google Works" available on January 8, 2015. The duration of Kapitel 6.3 - Wie Google tickt - How Google Works is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Kapitel 6.3 - Wie Google tickt - How Google Works's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #14 out of 208 tracks. Based on our statistics, Kapitel 6.3 - Wie Google tickt - How Google Works's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 6.3 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg has a tempo of 136 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Kapitel 6.3 - Wie Google tickt - How Google Works being at 136 BPM, the half-time would be 68 BPM with a double-time of 272 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Truth | Karl Jenkins, Lucy Crowe, Krzysztof Wisniewski, Pablo de Leon, Shoshana Sievers, World Orchestra For Peace, World Choir for Peace, Nicol Matt, Alexander Duggan, Jody Jenkins | C Major | 2 | 8B | 79 BPM | ||
Laudate Dominum | Natalie Choquette | F Major | 2 | 7B | 104 BPM | ||
Kapitel 36.3 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth | B Minor | 2 | 10A | 127 BPM | ||
Die Entführung aus dem Serail, K. 384, Act I: Hier soll ich dich denn sehen - Remastered 2024 | Wolfgang Amadeus Mozart, Walther Ludwig, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Te Deum, WAB 45: II. Te ergo quaesumus | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Krassimira Stoyanova, Yvonne Naef, Christoph Strehl, Günther Groissböck, Bavarian Radio Chorus | F Major | 2 | 7B | 98 BPM | ||
Zum Schluss der Freimaurerloge: Ihr unsre neuen Leiter, K.484 | Wolfgang Amadeus Mozart, Werner Krenn, Edinburgh Festival Chorus, Georg Fischer | B♭ Major | 1 | 6B | 74 BPM | ||
O Del Mio Amato Ben | Gwyn Hughes Jones | A♭ Major | 1 | 4B | 134 BPM | ||
Kapitel 6.3 & Kapitel 7.1 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg | D♭ Minor | 3 | 12A | 63 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
La vestale, Act II: Prayer: O des infortunes | Gaspare Spontini, Renata Scotto, Budapest Symphony Orchestra, Charles Rosekrans | B Minor | 1 | 10A | 68 BPM |
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